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The Tempest
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Cards (28)
Herrin's
version
2013
Globe
Doran's
version
2016
RSC
Miranda and
Prospero
presented as very close, familial -
Herrin
Caliban
(Herrin) :
Painted red, brown earthy tones
Moves animalistically
Vile actions such as spitting and burping at audience members
Trinculo
(
Herrin
):
wearing jesters outfit with comedically large
codpiece
Geordie
accent
Ariel
is physically fluid, monkey bars on stage, cartwheels -
Herrin
Ariel's costuming
is ethereal, feathered, non human - Herrin
Punching skit in Act
3
Scene 2 -
Herrin
Act
2
Scene 1, physically presents crown imagery -
Herrin
Act 3 Scene
3,
use of
fire
, Ariel physically dressed as harpy (puppetry of wings), Prospero is stood above stage overseeing it - Herrin
Prospero mouths alongside both Harpy and Masque -
Herrin
Act 4 Scene 1, Masque involving choreography,
comedy
during dances -
Herrin
Costumes becoming more and more worn over plays period -
Herrin
Magic portrayed using music -
Herrin
Alonso kneeling in apology (5.1) -
Herrin
Act 5 Scene 1, Prospero takes
Caliban's hand
-
Herrin
Ariel becomes
invisible
to Prospero -
Herrin
Use of special effects during Act 1 Scene 1,
immersive
, stage is set in ships carcass -
Doran
Ariel
presented as a mix of CGI and human,
nymphish
, seemingly more confident in his power - Doran
Ariel
and Prospero have a more
conspiratorial
relationship, Prospero at some points seems frightened of Ariel - Doran
Caliban
has a
deformed
spine/ hunchback and appears more solemn - Doran
Act 2 Scene 2, physical humour of personified spirits moving logs from
Caliban
-
Doran
Trinculo having a
northern
accent, lots of adlibbing -
Doran
Harpy
presented through CGI, more fear inducing -
Doran
Act 3 Scene 2,
'wee-break'
and
Ariel's
mocking of Trinculo's accent - Doran
Masque
scene is operatic and brightly coloured -
Doran
Prospero's Duke Chain is given back to him (5.1) -
Doran
Caliban standing up straight overshadowing Prospero when finding his broken staff (and his freedom) -
Doran