A View from the bridge

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Cards (47)

  • Intro
    "A view from the bridge" is a modern tragedy play by American playwriter, Arthur Miller, written in 1955 and is set in the 1950s, New York, Italian american neighbourhood near Brooklyn Bridge. Where E is presented as (insert overall idea) and explores themes of jealousy, xenophobia and social tension.
  • conclusion
    Return to the question and give your overall evaluation and main reasons why.
  • E: "I could tell you things about Louis which you wouldn't wave to him no more."
  • E: "I just don't want you being pushed around is all, you got too big a heart. What're you so touchy?"
  • B: "I'm afraid that if it doesn't turn out good, you'll be mad at me."
  • E: "I broke my back payin' her stenography lessons so she could go out and meet a better class of people"
  • Eddie at the beginning of play
    He's noble, generous, loyal, showing signs of obsessive behaviour - over-protectiveness of C.
    E: "You'll never get nowhere unless you finish school. You can't take no job."
    • Average man; well-liked, seems like ordinary man, but possible issues established early.
  • Shifts - think of key moments in his downfall
    Frustrated by M + R, forces ideas onto C - manipulative.
    E: "That's what's going on here" - says R is using C.
    E: "He's stealing from me!"
  • E at the end
    Prideful - wont accept apology, Egotistical, stubborn.
    (reaches for E's hand, but E snaps it away)
  • Why is E is an admirable (heroic) character at the start:
    • Generous in looking after M and R when they are there illegally.
    • Protective of C and wants a better life for her.
    • Reassuring of B when she panics
    • Works hard to provide for the family financially.
    • Concerned about R exploiting C for a green card/passport (spending money on himself).
  • B: "you're an angel! God'll bless you. (He's gratefully smiling) - religious imagery
  • L: "Believe me E, you got a lotta credit comin' to you."
  • E: "I want you to be with different kind of people. I want you to be in a nice office." - repetition.
  • E: "I just don't want you bein' pushed around, that's all. you got too big a heart. (He touches her hand)"
  • A: "He was a good a man as he had to be in a life that was hard and even." - Chorus (maintains sympathy for E).
  • E: "Katie, he's only bowin' to his passport." - metaphor.
  • Context - 1955
    • Masculine
    • protective of his family
    • breadwinner - works hard, long hours to provide for family
    • supports extended family
    • Longshoreman - heroism in his poverty
    • wants the american dream for C
    • E is homophobic - being gay was illegal
    • men were the head of the household
  • 1955 audience would sympathise with E:
    • He turns to B at the end rather than C - "My B!"
    • Happy to allow B's cousins to stay at the apartment though they are illegal.
    • loving and protective of C (raised her like a daughter).
    • Works everyday to provide for the family.
    • Reassuring to B, kind to her at the start.
    • He's right to be angry about R's actions - keeping C out late at night without permissions, sleeping with C - harms her reputation.
    • Many people would take advantage of Americans to get a green card.
  • E: "Beatrice, all i'm worried about is you got such a heart"
  • E: "Hey,hey take it easy"
  • B: "When am i gonna be a wife again Eddie?"
  • E: “I want my respect”
  • E: “I know that neighbourhood… I don’t like it”
  • M: “he killed my children“
  • C: “How can you listen to him? This rat!” - person E loves the most calls him a rat, which is the worst thing you can be.
  • E: “He sings, he cooks, he could make dresses.“
  • C: “who the hell do you think you are?”
  • E: “You’re walking wavy”
  • L: “you’ve got a lot of credit coming to you”
  • L fed up: “E for Christ’s sake.” - no respect.
  • B to E: “ you want something and you can never have her” - hamartia
  • a view from the bridge
    • play
    • acts
    • audience
    • its staged
    • stage directions
    • mostly dialogue
  • Act 1 - part 1
    • Alfieri is in his office and he's introducing the story.
    • E, C, and B are introduced where E is shown as protective for telling C off for being near boys and doesn't want her to get a job.
    • M and R are arriving later that night as illegal immigrants from Italy and are grateful for the chance to earn money and pursue the american dream.
    • M wants to send money home to support his family while R wants to stay in the country for as long as possible.
    • R and C gets to know each other and dates.
    • E is jealous and tells C that R only wants her citizenship, but she ignores this.
  • Act 1 - part 2
    • B talks to C about becoming a more independent woman.
    • now everyone kinda against E, which fuels his anger and desperation
    • E visits A and asks if he can get rid of R by law
    • A says he can't and must let go of C.
    • Then there's a pretend boxing match in the living room where the girls are left to stop.
  • Act 2
    • R and C are home alone and in the bedroom, E arrives home drunk and kisses C and pins R to the floor and also kisses him.
    • E visits Alf, who tells him to let C go.
    • E calls immigrations and reports M and R
    • M and R gets arrested and M spits in E's face
    • Alf bails them and arranges a marriage for C and R
    • on the wedding day, M goes to the house for revenge and E tries to stab M but M stabs E and dies in B's arms.