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Macbeth
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Lady Macbeth
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Cards (16)
The controversial wife of the play’s
tragic hero, Macbeth.
She goes mad with the
guilt
from her ambitious actions.
Key Character Traits
Ambitious
Ruthless
Clever
&
persuasive
Tormented
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Ambitious
She will do anything for Macbeth to be
King
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Ruthless
She wants to be filled with "
direst cruelty
" to help her murder
Duncan
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Clever
&
persuasive
She plays on Macbeth's
weaknesses
, e.g. calling him a "
coward
", to convince him to kill
Duncan
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Tormented
She
can't
live with her
guilt
about their
crimes
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“The fatal
entrance
of
Duncan
under my
battlements”
Lady Macbeth plans to kill
Duncan
as soon as the
chance
presents itself (Act
1
Scene
5
)
“Come, you
spirits
that tend on
moral
thoughts,
unsex
me here“
Lady Macbeth
calls on spirits to counteract the
femininity
that would stop her from committing
evil
deeds. (Act
1
Scene
5)
“ When
durst
do it, then
you
were a
man”
Lady Macbeth
manipulates her husband by calling into question his
masculinity
(Act
1
Scene
7
)
“I would, while it was
smiling
in my face, have
pluck’d
my
nipple
from his
boneless
gums,
dash’d
the
brains
out”
Lady Macbeth
uses
gory imagery
to
persuade
Macbeth to keep his word (Act
1
Scene
7
)
“Go get some
water,
and wash this filthy witness from your hand.”
Lady
Macbeth
suggests to her husband that his guilt can simply be
washed
away (Act 2
Scene
2)
“Give me the
daggers
: the
sleeping
and the
dead
are but as
pictures”
Lady Macbeth
takes control of covering up
Duncan’s
murder (Act
2
Scene
2
)
“This is the
air-drawn dagger
which, you said, led you to
Duncan”
Lady
Macbeth is dismissive when Macbeth sees
Banquo’s
ghost (Act
3
Scene
4)
“At once, good
night:
stand not
upon
the
order
of your going, but go at
once”
Lady
Macbeth takes
control
again because her husband will not
calm
down; she tells the guests to
leave
immediately (Act
3
Scene
4)
“Out,
damned
spot!”
Lady Macbeth’s guilt catches up with her (Act
5
Scene
1)
“Here’s the
smell
of the
blood
still: all the
perfumes
of
Arabia
will not
sweeten
this little
hand”
Lady
Macbeth’s
language
mirrors Macbeth’s own
guilty hallucinations
(Act
5
Scene
1
)
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