Pious (very religious), conflicted, humble, emblematic of Jesus, confessions.
Throughout the play, Shakespeare makes use of Banquo's character to deliver a clear message about the importance of resistingevil; though it may be a struggle, Shakespeare advocates turning to God for support.
This internalstruggle Banquo experiences emphasizes his humanity and allows the audience to connect with his character on a more personal level.
The first time we see Banquo's religious nature come to light is in Act 1, Scene 3, "If you can look into the seeds of time, // And say which grain will grow and which will not, // Speak then to me".
In this instance, we see a skeptical Banquo use his religion to try and understand the witches' prophecies.
Banquo: Act 1, Scene 3, "If you can look into the seeds of time, // And say which grain will grow and which will not, // Speak then to me".
In the bible, Ecclesiastes11.6, it says "Sow your seed in the morning".
The naturalimagery is parallel to the bible; thus Banquo seeks solace in biblical teachings - using these to protect himself from supernatural, malevolent forces.
Banquo: Act 1, Scene 3, "If you can look into the seeds of time, // And say which grain will grow and which will not, // Speak then to me".
A naturalsemanticfield is established with "seeds" and "grains will grow".
This reinforces how Banquo remains obedient to the natural order and God - he does not try altering his position akin to Macbeth.
Arguably, Banquo is emblematic of Jesus as he confesses his temptation, Banquo claims that heaven's "candles are all out", in reference to the lack of stars in the sky.
Banquo seeks solace from heaven.
Macbeth tries to hide this, as opposed to confessing: "Stars hide your fires", this motif of stars exposes Macbeth and Banquo as diametrically opposed in their aspirations:
Macbeth wants to hide his maliciousintentions from God.
Whereas Banquo wants to confess his temptations to be set free of them.
Through resisting the Witches' temptation, BanquoparallelsJesus, who was tempted by the devil.
Banquo's noble nature is explored in a few different ways throughout the play, with Shakespeare emphasising his honorable and virtuouscharacteristics.
Through the struggles of temptation, ultimately Banquo makes the noble choice, leaving his best friend to fend for himself and instead remaining loyal to the crown.
Banquo has the same initial reaction to the witches' prophecy as Macbeth, but his morality takes over, and he exclaims "Restrain in me the cursedthoughts".
Clearly, Banquo understands the ludicrousness of plotting to kill the king based on the unsubstantiatedprophecies of supernatural beings.
Even after Banquo is murdered, the theme of the supernatural continues to tie him and Macbeth together.
In Act 3, Scene 4, Banquo's ghost shows up at Macbeth's banquet, destroying Macbeth's dignified image and forcing him to exclaim "Quit my sigt".
Banquo and Macbeth are connected as a result of their interaction with the supernatural, and this eventually starts the process of unraveling Macbeth's mind.
"I dream'd of the three weird sisters last night"
Banquo is in contrast to Macbeth, who claims "I think not of them" (the witches).
Banquo is honest, characterising him as moral in order to amplify Macbeth's dishonesty and deception.
Banquo is described to have a "royalty of nature", emphasising his noble and majestic nature.
This idea is compounded shortly after when Macbeth describes him as "wis[e]", implying a rational and intelligent character.
Macbeth was initially presented as "worthy", however, regresses into a "hell-hound".
Both characters begin noble, therefore Shakespeare explores the disadvantageous effects of losing sight of morality and being preoccupied with belligerence (aggressive or war-like behaviour).
Banquo's noble and caring attitude shines throughout, most strongly in Act 3, Scene 3 just before he is killed, when he tells Fleance "Fly, goodFleance, fly, fly, fly!".
Banquo knows he will not survive the ambush, so he implores him to run, aware that if he is being targeted, Fleance likely is as well.
As envy is one of the seven deadly sins, a cardinal sin, Banquo is used by Shakespeare to explore the detrimental effects of envy and unchecked ambition.
Macbeth's envy of Banquo's ability to restrain himself is clear: "He hath wisdom that dothguide his valour to act in safety" (About Banquo from Macbeth).
Banquo is a foil to Macbeth as Macbeth embodies reckless power, whereas:
Banquo has self-restraint and control.
Macbeth is envious (seven deadly sins) of Banquo's ability to restrain his ambition from over-indulgence into "deep-desires".
Macbeth's envy of Banquo's ability to restrain himself is clear: "He hath wisdom that doth guide his valour to act in safety"
The diction on "guide" connotates "leading".
This exposes how Macbeth has aimed to control, guide and lead his ambition, however, has become weak to its powerful force - Banquo is able to lead and guide himself away from sin.
Banquo's ambivalent presentation is the antithesis of Macbeth's blood thirsty depiction.
In Act 1, Scene 3 - Macbeth and Banquo meet the witches for the first time.
Banquo perceives their overt evil and dehumanises them in his description "look not like th'inhabitants o'th'Earth".
The witches' physiognomy (when appearances are reflective of their true character) exposes them as inhumane and evil.
Banquo is portrayed as perceptive as it was believed he was an ancestor of James I, therefore this is a form of indirect flattery.