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10th Grade
MAPEH 10 QUARTER 1
ART 10: TIMELINE AND CHARACTERISTICS
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Cards (15)
RENAISSANCE
1400 - 1600
"rebirth"
characterized by introducing depth in the painting
they emphasize the main object of the painting
BAROQUE
1600 - 1725
used exaggerated motion and clear interpreted details
dramatic, it draw the view to participate in the scene
NEOCLASSICISM
1760 - 1830
greek and roman mythology history for subjects
clothing in ancient times
ROMANTICISM
1770 - 1850
emotion, individualism and glorification of all the past and nature
dark style for mysterious
cult, satanic feature, spirits of nationality
REALISM
1840 - 1880
beginning of modern art
conviction of everyday life
represent subject matter truthfully without artificiality
sarcastically depict social issues
IMPRESSIONISM
1872 - 1892
distinctive brush strokes
lighting in the sense of movement
usually separate colors allowing the viewers perception to mix them
POST-IMPRESSIONISM
use vivid colors
often take application of paint but were more inclined to emphasize symbolic content
use of unnatural colors
FAUVISM
1905 - 1908
valued individual expression
artist direct experience of the subject, emotional response to nature and intuition
separating colors from its representational purpose
EXPRESSIONISM
1905 - 1933
paintings are distorted radically for emotional effects
from within the artist rather than a depiction of the external visual world
CUBISM
1907 - 1922
abandon perspective which have been use to depict space
turned away from the modeling of realistic figures
DADAISM
1916 - 1924
expressing nonsense irrationally and anti-capitalist protest in their works
known for their ready-made objects
SURREALISM
1924 - 1966
imagination
interpretation of dreams
exposure of the complex and repressed inner world of sexuality, desire, and violence
ABSTRACT EXPRESSIONISM
1943 - 1965
redefine the nature of painting born out of profound emotion
POP ART
1943 - 1965
including imagery from pop and mass culture like advertising comic books and mundane culture objects
usually removed from non context, isolated and combined with unrelated material
PHOTOREALISM
early 1960's
artist studies a photograph and then attempt to reproduce the art as realistic as possible in another medium