Section 1

• Temp levé with arms in a V facing upstage.

  • Ashton Ballet
  • Relationship to the music: music visualisation/ mutual co-existence as they make a 'whey' yell.
  • Dance for dance sake
• Dancers are DSR- Leg kicks straight out to the front and then folds from the knee back into parallel, the body and downstage arm also ripple in movement that mirrors the leg

  • Cunningham
  • Judson Church- release technique
  • Movement happens on music change
  • Direct correlation: electric noises/rolling marbles
• Step turn step leap jeté

  • Ashton Influence
  • Relationship to music: direct correlation
  • Music visualisation: glass shattering as they in a high level
• Dancers face out to the audience and perform high kicks with flexed feet and a Cunningham side tilt.
• Lunge position- swings of the arms- from down by the sides to fingertips touching shoulders, with elbows held at a 90° angle and back again