'In eighteen sixty-nine, eyes dry with dust / from twelve hours combing flax..'
'eyes dry with dust' implies industrial workplace/effect of pollution
Suggests endurance and arduousness of working life
'he craved the comfort of a wider view.'
Desperate to see more of life than what he is limited to in Leeds, highlights claustrophobic atmosphere
'drew his sights beyond the limits of his working life / drowned the din of engines, looms and shuttles'
Architecture provides him with something to connect to and find peace from overwhelming industry.
'engines, looms and shuttles' - Cacophony of sound and machinery
'the red-brick vaults / being to moan as time, collapsing in the River Aire'
Ancestry is not bound by time, architecture/heritage sites helps them to connect
Personification to allow audience understand the connection to objects
'We stand now, timeless in the flux of time'
Change of pronouns: Brings them together to unity
Metaphysics: Not bound by time, ancestry is powerful
'while the curve of past and future generations / arcs between us'
Timeless imagery and metaphor, no matter how far apart they will always be connected as they view and admire the same heritage sites/architecture that brings them together
Each stanza with five lines except fourth stanza: Temporal axis, shift in time (past - present - outside time) and connection
Unrhymedfree verse: Not bounded by rules (of time)