"An artisan of some sort with a tin pot of red paint."
"Thy, damnation, slumbereth, not."
"Thou, shalt, not, commit -."
- Tess encounters an artisan with a tin pot of red paint after making her return to her family's home, post-rape.
- The red paint is significant; there is persistent red imagery throughout the novel, many of the times used to describe and anticipate Tess' loss of innocence and the activity which stains her innocence. However, in making the artisan use red paint, Hardy deliberately draws attention to religion and its unjust, as well as corrupt nature. Although the Victorian Church believed in the Christian God that was considered benevolent, the actions of the Victorian Christians are far from benevolent. The red paint is deliberately used to portray the inflexibility and harshness of Victorian morality based on religious values and laws. Moreover, the red paint also suggests that Victorian morals laws have to be followed, otherwise resulting in the ostracism of the person who chooses not to follow them.
- Evidently, the quotes that were painted in red were "thy damnation slumbereth not" and "thou shalt not commit". These biblical verses ironically resonate with Tess. She committed a sin - the sin of adultery and her damnation is inevitable. The sin she has committed is also one of the biggest sins in Christianity. Therefore, Hardy helps us anticipate Tess' wrongful and immoral condemnation by the Church for a sin she was forced to sin for. It was out of her personal will.
- Tess as a victim of religion and its inflexibility. Perhaps Hardy is trying to advocate against religion and it setting moral norms? Perhaps Tess would have been saved from suffering if religion was more flexible.
- Foreshadows Tess' punishment.
- STRUCTURALLY significant: The scene was placed after her return from Trantridge. She tries to escape her past, yet the past follows her and she is held liable for her sins.