The development of sculpture outside the Philippines has evolved over centuries, with distinct periods influenced by cultral, religious, political, and technological changes.
Ancient Civilization
Egyptian Sculpture
Sculpture was primarily religious in nature, focusing on the afterlife.
Ancient Civilization
Egyptian Sculpture
Statues were designed to house the souls of the dead
Ancient Civilization
Egyptian Sculpture
Iconic works include the Sphinx and statues oh pharaohs like Ramses II, characterized by monumental scale, rigidity, and idealized forms.
Ancient Civilization
Greek and Roman Sculpture
Classical Greece saw the rise of naturalism, emphasizing human beauty and proportions
Ancient Civilization
Greek and Roman Sculpture
Sculptors like Phidias, Myron, and Polykleitos created lifelike statues of gods, athletes, and philosophers.
Ancient Civilization
Greek and Roman Sculpture
The Romans later adapted Greek styles but focused more on realism, especially in portraiture and publicmonuments, as seen in the Augustus of PrimaPorta and the Trajan'sColumn
Ancient Civilization
Indian Sculpture
In Hindu, Buddhist, and Jian traditions, they portrayed gods, goddesses, and religious stories
Ancient Civilization
Indian Sculpture
Early works like the Great Stupa at Sanchi and the stone sculptures of Buddha were deeply spiritual and narrative-based, influencing Asian art
Medieval Period
European Medieval Sculpture
During the Middle Ages, religious themes dominated.
Medieval Period
European Medieval Sculpture
Gothic cathedrals were adorned with intricate sculptures depicting Biblical scenes, saints, and gargoyles
Medieval Period
European Medieval Sculpture
The art was symbolic, and less concerned with naturalism
Medieval Period
Byzantine Sculpture
This art retained a stylized, flat aesthetic with religious icons, particularly in ivory and mosaic work, playing a significant role.
Medieval Period
Islamic Sculpture
Figural representation was limited, and instead, sculpture took the form of geometric and floral motifs in architectural decorations, seen in the Alhambra in Spain and other Islamic palaces and mosque
Renaissance Sculpture
A revival of Classical ideals occurred in this period, especially in Italy.
Renaissance Sculpture
Sculptors like Michelangelo and Donatello reintroduced realis, anatomicalprecision, and humanist themes.
Renaissance Sculpture
This marked a shift toward the individual as a centralfigure in art
Baroque Sculpture
Introduced dynamism, movement, and drama into sculpture, reflecting the grandeur of the Counter-Reformation
Baroque Sculpture
Sculptors like Gian Lorenzo Bernini infused their works with emotion and complexity
19th Century: Romanticism, Realism, Neoclassicism
Neoclassical Sculpture
Neoclassicism reviewed Greco-Roman ideals
19th Century: Romanticism, Realism, Neoclassicism
Neoclassical Sculpture
Sculptors like AntonioCanova created calm, balanced, and idealized works, inspired by ancient sculptures
19th Century: Romanticism, Realism, Neoclassicism
Realism
The Realist movement aimed to depict life truthfully, focusing on ordinarypeople rather than mythological or heroic figures
19th Century: Romanticism, Realism, Neoclassicism
Realism
Sculptors like Auguste Rodin embraced a more rugged, emotional realism
20th Century: Modernism and Avant-Garde Movements
Cubism
Influenced by Pablo PicassoGeorges Braque, Cubism deconstructed objects into geometrical forms
20th Century: Modernism and Avant-Garde Movements
Cubism
Picasso's sculptures, such as his weldedmetal works, challenged traditional representation
20th Century: Modernism and Avant-Garde Movements
Surrealism
Surrealist sculptors like Jean Arp and Alberto Giacometti sought to explore the unconsciousmind, creating abstract or dream-like forms, as seen in Giacometti's elongated, ghostly figures
20th Century: Modernism and Avant-Garde Movements
Abstract Expressionism
Sculptors like David Smith and Alexander Calder pushed the boundaries with their abstract, non-representational works
20th Century: Modernism and Avant-Garde Movements
Abstract Expressionism
Cader is renowned for his mobile sculptures, which introduced movement into sculpture
Post-War and Contemporary Sculpture
Minimalism
In the mid-20th century, artists like Donald Judd and Carl Andre embraced Minimalism, reducing sculpture to its most basic forms and materials, stripping away emotion and narrative
Post-War and Contemporary Sculpture
Pop Art
Artists like ClaesOldenburg created playful, oversized sculptures of everyday objects, blending high and low culture
Post-War and Contemporary Sculpture
Environmental Sculpture and Land Art
Artists like Richard Serra and Robert Smithson began creating monumental works within natural environments
Post-War and Contemporary Sculpture
Environmental Sculpture and Land Art
Smithson's Spiral Jetty used earth and rocks to sculpt the landscape itself
Post-War and Contemporary Sculpture
Installation Art
Artists like Anish Kapoor, Louise Bourgeois, and Ai Weiwei creating immersive, large-scale works that interact with their environment and audience
Global Influence on Contemporary Sculpture
Globalization
With the rise of globalization, contemporary sculpture has become more fluid, reflecting diverse cultural narrative.
Global Influence on Contemporary Sculpture
Yinka Shonibare - Expores post-colonial identity through the use of Dutch wax fabrics in his figure
Global Influence on Contemporary Sculpture
El Anatsui - From Ghana uses recycled materials, such as bottle caps, to create monumental sculptures, blurring the line between art and craft
Global Influence on Contemporary Sculpture
Subodh Gupta (Indian) - Utilized everyday objects, such as steel kitchen utensils, in monumental installations reflecting modern Indian life
Global Influence on Contemporary Sculpture
Technology
The integration of digital technology has introduced new possibilities for sculpture. Artists now use 3D printing, virtual reality, and interactive media to push the boundaries of the medium.
The development of sculpture globally has been a reflection of human society's changing values, from religious devotion and the human form to politicalcritique, experimentation, and abstraction.
The diversity of forms, techniques, and meanings continues to expand as new materials and technologies reshape the possibilities for sculptural expression