AFROLATIN AND POPULAR MUSIC

    Cards (39)

    • From the early 16th century to the late 19th century, slaves from the continent of Africa were brought to the Americas.
    • Music became the slaves' expression amidst the hardships of work.
    • Music was one way by which they could lighten the pain of being slaves, work with each other effectively, and communicate with each other creatively and secretly.
    • The African slaves brought with them the BANSHAW in the 17th century, known today as BANJO.
    • The African slaves brought with them the BANSHAW in the 17th century, known today as BANJO.
    • What is this instrument?
      Banshaw or Banjo
    • While in America, the slaves created drums and percussion instruments, which they used to accompany their singing.
    • Negro Spirituals - These songs expressed the hardships of the slaves and their longing for freedom, for their safety, and for relief as they perform difficult tasks.
    • Negro Spirituals - These songs also serve to give them hope that eventually life may improve for them.
    • Negro Spiritual - Composers set these spirituals to choral versions and accompanied songs to preserve this genre of black music
    • Ragtime - Black musicians during the 19th century would call syncopated rhythms as a way of “ragging” a tune.
    • Ragtime - Black musicians during the 19th century would call syncopated rhythms as a way of “ragging” a tune.
    • Syncopations were done on instruments as they were used; eventually, syncopation referred to the piano music that we call today as ragtime.
    • Ragtime - Its basic character is its syncopated rhythm.
    • Scott Joplin composed “Maple Leaf Rag” , which became one of the first ragtime hits.
    • Who composed “Maple Leaf Rag”?
      Scott Jolpin
    • One of the first ragtime hits:
      • Maple Leaf Rag
    • The blues are considered one of the simplest musical genres that evolved from the music of black or African Americans.
    • Blues require flexibility and a high level of improvisation in their performance.
    • Blues - This require flexibility thus, singers would create their own trademark by making vocal scoops and slur.
    • Jazz has been acknowledged as the most creative and complex genre of music America has produced.
    • Jazz combines the traditional black sound of New Orleans and the characteristics of the blues.
    • In jazz music, the performer becomes the composer as his or her musical spontaneity creates an entirely unique musical experience.
    • Jazz music possesses the ability to be unique in its every performance.
    • Dixieland - One of the early forms of jazz that started in the early 1920s in New Orleans.
    • Dixieland - It is a combination of the traditions of blues, ragtime, and brass band.
    • Dixieland music is usually instrumental in nature.
    • two of the most prominent Dixieland performers:
      • Louis Armstrong
      • Jelly Roll Morton
    • Jelly Roll Morton is a?
      Pianist
    • Big Band - A jazz subgenre which saw its rise in the 1920s.
    • Big bands specialized in swing music.
    • Swing music - a highly danceable music type that became famous until the 1940s.
    • Big band composed of 10 or more players with basically the same instrumentation as that of Dixieland.
    • How many players are in Big Band?
      10 or more players
    • A bebop group is relatively small, as compared to the big bands of the 1920s
    • How many musicians are in a Bebop?
      4 to 5 Musicians
    • Bebop - It is characterized by complex melodies and chord progressions.
    • Unlike big band music, bebop is not suitable for dancing.
    • Subgenres of Bebop:
      • Boogie-Woogie
      • Rock and Roll
      • Rock
      • Disco
      • Rap
      • Techno
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