Poetry Quotes

Cards (40)

  • "I am Ozymandias, King of Kings" - Ozymandias

    breaks iambic pentameter + changes pace of poem - not subject to rules
    irony - emphasises absolute authority but statue is crumbling
  • "Lone and level sands stretch far away" - Ozymandias
    alliteration - statue's insignificance in vast desert + nature
    detached and callous image shows nature prevails
  • "Look on my works, ye mighty and despair!" - Ozymandias
    personal pronouns - pride in legacy
    physical displays of power are futile but integrity of nature will last forever
  • "The hand that mocked and the heart that fed" - Ozymandias
    'hand' - superior to citizens + violence, juxtaposing Shelley's views
    'heart' - sculptor bringing truth to life + also shows how people had no choice but to rely on the king
  • "Sneer of cold command" - Ozymandias
    assonance - no contempt/sympathy
    human rule delegates needs of ordinary citizens
    references Napoleon's failed dictatorship
  • "the youthful harlot's curse blasts the new-born infant's tear" - London

    harlot - prostitute, curse - euphemism for STDs
    youth taken away by wealth divide forcing her into the job
    most vulnerable suffering due to power abuse
    tear - emotive, innocence of youth taken away
  • "every black'ning church appalls"

    symbolism - false promises + sinister side of church
    juxtaposes hopeful facade of church
    controversial - Christianity integral part of society during this period
  • "hapless soldier's sigh runs in blood down palace walls" - London

    even those serving country are frustrated
    euphemism - royalty responsible for suffering
    blood - symbolism, have blood on their hands
  • "in every face I meet marks of weakness, marks of woe" - London
    hyperbole - no exceptions to suffering apart from the small group of wealthy who don't help
    London seen as city of opportunity yet everyone is sad - appearance vs. reality
  • "In every voice, in every ban, the mind-forged manacles I hear" - London

    chains - poor too scared to speak up in fears rich will attack them
    semantic field of restriction
    emotive language - evident struggle but no outlet to speak up evokes sympathy + emphasises vulnerability
  • "My last duchess/looking as if she were alive. I call that piece a wonder" - MLD

    sinister - painting is life-like
    only admires her when she's gone
    personal pronouns - objectifies + controls her in death
  • "She looked on, and her looks went everywhere" - MLD
    repetition - feels jealousy even though she's dead
    hyperbole - overly-critical when she is only being courteous
    emphasises her youth + how he misinterprets her actions
  • "As if she ranked my gift of a nine-hundred-years-old name with anybody's gift" - MLD
    feels superior to everyone else + implying she doesn't owe anything to people below her socially
    boastful - trying to justify himself
    irony - jealous despite arrogance
  • "This grew; I gave commands; then all smiles stopped altogether" - MLD
    euphemism - killed her using a hitman
    juxtaposes her happiness + innocence - displays patriarchy + how most kind suffer due to arrogance
  • "Notice Neptune, though, taming a seahorse, thought a rarity" - MLD

    disturbing - switches from confession to casual talk
    metaphor - power imbalance + control
    irony - Neptune known for bad temper
    caesura - highlights sense of victory
    circular narrative - about to do same thing to next wife
  • "Small circles glittering idly on the moon" - Prelude

    light imagery - calm before the storm
    repeating 'l' - boat moving gently, confidence
    admiring beauty but also suspensful
  • "lustily I dipped my oars/heaving through the water like a swan" - Prelude
    otherworldly but not threatening
    in control + admits over-confidence
    juxtaposes sharply with next lines
  • "a huge peak, black and huge/upreared its head" - Prelude
    personification - nature establishes dominance
    repetition - emphasises shock of speaker
    caesura - takes a while to comprehend, feelings of sublime emerges
  • "with purpose of its own, and measured motion like a living thing, strode after me" - Prelude
    simile - being chased, confidence turns to fear
    enjambment - chaos emerges in speaker's mind at sight
    ironic - tried to control nature now being controlled by nature
  • "no colours of green fields but huge and mighty forms" - Prelude
    juxtaposition - pastoral imagery replaced by negative thoughts
    events haunt him making him depressed
    metaphor - unsettling imagery to help readers emphasise with speaker
    questions own morality + realises mistake
  • "Into the valley of death rode the six hundred" - COTLB

    biblical reference - if you have courage god will save you
    metaphor - mission was destined to fail
    refrain - bravery emphasised
  • "Theirs not to make reply, theirs not to reason why, theirs but to do and die" - COTLB
    anaphora - expected to give up lives for someone else's mistakes + follow orders without question
    unaware of mistake - being sent to their doom
    monosyllabic orders - simplicity of army life
  • "Flash'd as they turn'd in air sabring their gunners there" - COTLB
    imagery - highlights brutality of hand-to-hand combat
    sword - symbolises bravery + suicide mission
    enjambment - highlights continuous courage through struggle
  • "When can their glory fade?" - COTLB
    rhetorical question - sense of nuance, suggests glory does fade eventually
    should be commended for their chivalry
  • "Honour the charge they made! Honour the Light Brigade!" - COTLB

    imperative - teaches readers to remember them
    charge made their sacrifice worthy
    war both heroic + tragic, brings out both the best + worst in humanity
    summarises heroism in shorter stanza
  • "Smacking the belly out of the air/lugged a rifle numb as a smashed arm" - BC
    onomatopoeia - chaos of war
    feels winded
    gun part of body - men weaponised
  • "In what cold clockwork of the stars and nations was he the hand pointing that second?" - BC
    rhetorical question - feels insignificant within big movement
    assonance - individual needs don't matter when patriotism is involved
  • "His foot hung like statuary in mid-stride" - BC

    aimless + has no choice
    heightened senses
    existential crisis
  • "King, honour, dignity etc. dropped like luxuries" - BC

    list of 3 - reasons for war no longer significant
    epiphany - doesn't want to die for country
    juxtaposes glory + horror
  • "His terror's touchy dynamite" - BC
    overstimulation overrides patriotism
    metaphor - original principles gone, fighting for survival
    alliteration - desperation
  • "Our brains ache, in the merciless iced east winds that knive us" - Exposure
    collective mental toll - 1st person plural
    sibilance - mimics wind sound + personifies wind attacking them
    caesura - slow death + lack of will to live
  • "Dawn massing in the east her melancholy army attacks once more" - Exposure

    semantic field of military - nature bigger enemy
    juxtaposes fresh starts + hopes of new day
    stuck in an endless loop + no narrative progression
  • "sudden successive bullets streak the silence" - Exposure

    volta - symbolises how soldiers are thrown into action
    sibilance - disruptive of psychological war within soldiers
  • "We cringe in holes, back on forgotten dreams, and stare snow-dazed" - Exposure
    animalistic - hiding from cold
    war doesn't care for their desires
    snow-dazed - confusion, existential crisis, lack of significance
  • "For God's invincible spring our love is made afraid" - Exposure
    feels abandoned by god + false promises of Christianity
    sacrifice isn't worth it
  • "Is it that we are dying? Slowly our ghosts drag home" - Exposure
    assonance - already dead inside
    rhetorical question - war has lost meaning
    those back home lost interest in their fate
  • "We are prepared: we build our houses squat" - SOTI
    caesura - intensifies arrogance + confidence
    thinks it's safe + made adaptations
    inclusive pronouns - humans believe collectively they are more powerful than nature
  • "Leaves and branches can raise a tragic chorus in a gale/forgetting it plummets your house too" - SOTI

    chose to ignore warnings out of over-confidence + complacency
    Greek chorus explains negative events - island left on its own to navigate storm since it's so disconnected
  • "Space is a salvo. We are bombarded by the empty air" - SOTI

    sibilance - nature can turn cruel at any moment + indiscriminate
    semantic field of war + island becomes firing ground - weather hidden enemy
    no longer arrogant
  • "strange, it is a huge nothing that we fear" - SOTI
    don't know who to fear - neighbour vs. neighbour
    weather is true enemy
    condemnation of Troubles - conflict is unnecessary
    contrasts with solidness at start