Myrtle

• Often, only the classes of ‘Old Money’ and ‘New Money’ are focused on. Myrtle represents the third class: ‘No Money.’ Myrtle tries to escape this class through Tom but ultimately fails (similarly to Gatsby). Shows exclusion of American Dream for those from lower social classes.
• Conforms to the ideas of femininity and female sexuality to climb the social ladder. She proves that sexuality is connected to autonomy and the agency to change one’s social class.
• Changes clothes into ‘an elaborate afternoon dress of cream-coloured chiffon.’ (Chapter 2)

  The dress is notably cream, not white like Daisy and Jordan’s garments, thus representing through colour symbolism that while she is trying to impersonate the dress of the upper class, she is not quite pure enough and cannot imitate them.
• Motivated by self-interest, disregarding her husband’s devotion to her. Materialism has made her insensitive.
• Whilst she has access to money, she is not allowed the freedom that comes with true, inherited wealth, as Tom uses his financial status to buy her.
• Constantly at the will of others, particularly men. Trapped in her marriage with George. Imprisoned by her social status.
• Myrtle yells at George: “Beat me!...Throw me down and beat me, you dirty little coward!” (Chapter 7). Interesting parallel to early in the novel where Tom breaks Myrtle’s nose.

  It appears that Myrtle equates violence with masculinity and bravery, and therefore finds Tom to be more masculine, and a fitter companion than George. Theme of power and dominance
• Dies because of her association with the wealthy elites. Old money equated to privilege

  Myrtle’s death can be symbolic of the fate of women who attempt to shape their own lives.
• Serves as Gatsby’s ‘double.’ Determination to attach themselves to their lovers and ascend socially and economically. Shows widespread nature of this desire in 1920s America.