not an active verb - indicates wife's helplessness - presented as alone
eerie scene - pathetic fallacy - sense of foreboding (feeling that something bad will happen)
type of fog in London produced by the emissions of factories and chimneys - pathetic fallacy - detailed visual images of fog foreshadows the wife's sorrow
This fog also symbolises obscured clarity —she is metaphorically and literally in the dark about her husband's fate
"He - has fallen - in the far south land...
dashes create pauses as if the news haven't sunk in properly - disbelief - denial
'has fallen' - euphemism - more respectful
British army is trying to soften the news for the wife - showing that they care
hoped return/ home-planned jaunts of brake and burn
language of future plans and optimism creates a painful irony
images of nature highlight the husband's youth and potential which have been lost
'brake and burn' - natural imagery is a stark contrast to the industrial and foggy setting of London and the violent reality of war
context
The poem is probably related to the BoerWar but the fact she is ‘a’ wife reflects the tragedy of how many lives were lost during many wars
structure
The poem is divided into two events covering two days: ‘The Tragedy’ and ‘The Irony’
There is a clear rhyme scheme in each verse, creating a sense of inevitability to these tragic events
Hardy uses the present tense to create a sense that this is a story unfolding in front of us, making it more dramatic and emotional
"And of new love that they would learn"
final line heightens the tragedy of his death because they will never get to rekindle their relationship
Perhaps Hardy leaves it here because it is more powerful than describing the widow’s grief.