By the end of the play, Sheila’s character is aligned firmly with the ideologies of Priestley’s postwar audience, who would have been more socially aware. Priestley’s 1945 audience would have witnessed the development of Britain’s Welfare State, an increased focus on workers’ rights and labour unions, and a renewed focus on community values following World War Two. Modern audiences, including that in 1945, may sympathise with Sheila’s position at the end of the play.