Dead skull serves as a symbol for the Christian'Memento Mori' translating to 'remember that you must die.'
Christianity emphasised the inevitability of the afterlife and the transient nature of life on earth.
Byron owned a skull cup, suggests that he disregarded the sanctity of death and saw it as another event in the cycle of life.
Cup was made from a monk's skull, perhaps directly insulting Christianity.
Theme of Life and Death
Death is inevitable, a necessary part of life. It is horrific and gruesome, but not final as our spirits live on.
Life should be lived to the fullest because death limits us. It is important to mark out a legacy for oneself, and to be of use in both life and death.
Form and Structure
The continuity of structure, the quatrains and rhyme, reflects the certainty of death as a part of life.
The fact that we are always progressing towards death is conveyed by the continuous, unchanging ABAB rhyme scheme.
"Start not - nor deem my spirit fled."
"Start not" may be a biblical reference to angels saying "be not afraid." Byron uses humour to equalise divine entities with talking skulls, conveying a sense of mockery towards the Christian Doctrine.
Immediately tells the reader not to be startled by the skull cup.
Religious imagery of "spirit" referring to the non-physical part of a human that doesn't die, as well as the class of alcohol reflecting Lord Byron's "carpe diem" ideology.
"I lived, I loved, I quaff'd"
The skull of the dead monk is talking, serving as a symbol of the Christian 'Memento Mori' emphasising the inevitability of the afterlife.
Similar to the Roman "Veni, vidi, vici" used by Caesar meaning "I came, I saw, I conquered." Gives the speaker a sense of power.
Last action of "quaff'd" is anti-climactic, suggesting the Monk didn't do much in his lifetime.
"quaff'd" is outdated language, suggests speaker is out of touch with Byron's modernity.
"The worm hath fouler lips than thine."
"worm" conveys gothic imagery of death and evil, perhaps a biblical reference to the serpent in the creation story. Ironic as the worm doesn't have lips.
Juxtaposition of "worm" and "lips," as lips may connote positive feelings of romance contrasting the grotesque "worm."
Illustrates Byron's belief that the dead human body is not sacred through mention of decay. Subverts Romantic/religious views at the time of death being beautiful and sacred.
"What nobler substitute than wine?"
Byron was a nihilist and had the belief that one should live life whilst you still can because everyone will die at some point (main reason for his hedonistic lifestyle).
"nobler" conveys an image of a strong personal voice to claim morality which juxtaposes ideals of earlier Romantics.
Through this Byron attempts to justify hedonism, enjoying the "drink of Gods" (Ambrosia) and "sparkling grapes.
"Quaff while thou canst."
Carpe diem "seize the day" is the idea of fulfilling one's potential and living life because death is inevitable.
"Quaff" meaning drink.
"May rescue thee from earth's embrace, // And rhyme and revel with the dead."
"Earth's embrace" conveys a sense of warmth and unusual imagery of this "embrace" being hostile and destructive.
Personification of "earth's embrace" presents death as inviting which is ironic as being dead/buried is anything but welcoming.
Links to the skull cup being "rescued" and given a new purpose.
Juxtaposition of life and enjoyment.
Alliteration suggests happiness through the pleasant rhythm.
Suggests earth and death is something to be rescued from, going against Christian values.
"Why not? Since through life's little day // Our heads such sad affects produce."
Rhetorical question shows Byron's attempts to justify hedonism and the speaker's actions due to the enjoyment he gained from them.
"life's little day" links to Carpe Diem philosophy and the inevitability of death, makes life seem small and unimportant.
Alliteration made to sound brief reflects shortness of life.
The "head" producing "sad affects" hinting at depression. May also link to Romantic idea of individual experience, criticising the conformity of society.