CPAR

• The Context of Art Lesson 3 aims to understand the different contexts by recalling and analyzing how it applies to a familiar or community-based art form.
• The context of art refers to the setting, conditions, circumstances, and occurrences affecting production and reception or audience response to artwork.
• Cavity Collectives are a group of young artists who create temporary yet arresting images in public space.
• M M Yu photographs untitled gravels to transform into aesthetic pictures.
• Sandi and Shiva by Lirio Salvador are a couple who live in a cave.
• The context of art also includes the set of background information that enables us to formulate meaning about works of art.
• Bulul is a human-like figure made of hard wood that is believed to be a guardian god that assures the community about fulfilling harvests.
• In Betis, Pamanga, sculpture-making is learned through an apprenticeship with a master sculptor who trains young people in their shops.
• Training, travels, and professional development broaden an artist's horizons and influence their vision and style.
• Methods of production are learned from the elders.
• Gaston Damag, a Paris-based artist, employs Bulul and other objects from his native Ifugao home as subject matter for contemporary art.
• The artist's background includes his age, gender, culture, economic condition, social environment, and disposition of art production.
• Traditional forms may also be used in daily private situations, experienced more immediately, and engage many senses simulaneously.
• Some found urban landscapes as exciting as caves.
• The crisis icon can be covered with any design, and the designs evolve over time.
• Artists inspire from personal memories and reveal the later's emotional charge features like Marina Cruz's works.
• Marina Cruz used old photographs and things like worn clothes by enlarging them through painting or casting.
• The senses of touch, taste, smell are engaged along with the visual sense.
• It is important to note when, where, and how art is counted.
• The painting of National Artist Benedicto Cabrera, titled Brown Brother's Burden, shows a look into colonial history from the gaze of the colonized.
• Consider the moment (time and space) by which we counted and how we might respond or engage with it in relation to our personal experiences and the public.
• Reception is very much affected by your level of exposure to art forms that may be unfamiliar or have startling imagery.
• Appropriation is a technique to transform existing materials through the juxtaposition of elements taken from one context to another.
• Angelita is also the object of an affection of Don Silvestre, a wealthy widower and a loan shark who wants to win her by taking advantage of her parents' financial difficulties.
• The singer-actress National Artist Atang De la Rama sings while the movie runs.
• Dalagang Bukid is the story of a young flower vendor, Angelita, and her childhood sweetheart, Cipriano.
• The first film to be directed by Filipino director, Jose Nepomuceno, was based on the play Dalagang Bukid by Hermogenes Ilagan.
• Live music was synced with moving image.
• Cultural representation and methods of display shape our consciousness.
• Nature and social environment shape an artist's disposition and access to resources.
• Artists personal contexts like gender and cultural background may strongly influence the form and content of their work.
• There can be no single narrative and definition of art that applies universally.
• There are varied conditions that affect the way art is produced, received, and exchanged.
• We consider the moment by which we counted the artwork in relation to our own experiences and of others.
• Midé Cruz rose to prominence or notoriety in his work.
• Hiwang Village, Banau, Ifuga, and Bencaab Museum in Baguiho hold the collection of Bulul.
• Samples of Bulul are displayed in Hotel Beyer Museum.
• Her work emphasizes her female identity and personal experiences.
• Cutting Onions Always Makes Me Cry is a self-portrait by Julie Luch, who presents herself as a cook associated with women.
• Tala and Andig are artists from Bukidnon who use oil instead of pigments to paint subjects that grounded on their present concerns as people.