Harmony Badinerie

• chords are shown along the bottom of the score through figured bass, e.g. V^7 is a dominant 7th chord
• there are perfect and imperfect cadences in Badinerie and there is always a perfect cadence to end a section
• a neapolitan sixth is a chord built on the flattened 2nd note of the scale always in the first inversion. there is one in bar 35 of badinerie