Like other French composers before him, Debussy was attracted to the exoticism of Spanish culture, and once made a very brief journey across the Spanish border.
Granada is a town in southern Spain, in an area where centuries ago Moorish invaders from Morocco in north Africa had settled. Their influence remains to this day in architecture and music.
The rhythm of the piece is based on the habanera, originally a Cuban dance
Habanera rhythm is a distinctive rhythm of dotted quaver, semiquaver and two quavers.
At the beginning the music is marked with "habanera tempo"
the piece is in simple duple time - 2/4
Staccato is an essential characteristic of the style, and can be found continuously from bar 5 to 16.
Debussy refers to the guitar's sounds in the spread chords that are frequently heard in this piece, emphasising the flamenco style
The first six bars of the Trèsrhythmé section (from bar 38) all end with a spread chord.
The melody beginning at bar 7 is like a Moorishlament. It starts with extreme dissonance with the opening D clashing against the C♯ in the right hand.
Parallel chords can be heard in various sections of the piece, e.g. from bar 17, where there are parallel seventh chords.