The argument of science in Frankenstein is complex.
Anne K Mellor argues that Sheley believes there is both a good and bad side of science and these can be associated with feminine and masculine attitudes.
Scientific language, especially of the 17th century assume that nature is feminine, science is masculine, and they exist in a sexual relation that may not be consensual.
According to Anne K Mellor, nature is a passive submissive victim of a male scientist's desire to penetrate her mysteries.
Mary Shelley approaches nature without the respect or modesty, which threatens its autonomy and violates its organic processes.
Erasmus Darwin’s proto-evolutionary conception of nature states that both female and male seeds are required to ensure the necessary characteristics of the species were passed on.
Victor completely disrupts this natural process as he removed the female contribution to the creature’s creations and denies the creature maternal love and nurture because of this.
Victor fails to support the creation by rejecting it immediately, making no attempt to understand or empathise with the creature.
The creature is neither human or an evolved new species that had no understanding of its origins or relationship to other creatures.
Victor’s belief he can create life without consequences is the outcome of his self-absorbedness.
Victor focuses everything into his work and cuts himself off from love and support.
Victor makes no connection to nature between his brief sojourns in the natural world to revive spirits and health to some degree.
Victor's obsessive desire to acquire knowledge for his egotism leads him to become unnatural.
Victor loses contact with, and friends and his work replace familial and romantic relationships.
The monster destroys everyone close to Frankenstein and these deaths of innocent and loving individuals is the condemnation of Victor's regressive and destructive life as a scientist.