Myth states that Zeus, supreme god of the Greeks, asked Prometheus to create humanity from mud and water.
Prometheus became a great benefactor of mankind teaching them many useful skills.
Prometheus later played a trick on Zeus, and he retaliated by withholding the gift of fire to mankind.
Prometheus defied Zeus and stole fire from the heavens for earth.
As punishment, Prometheus was bound to a rock where a giant eagle would eat his liver every day, which renewed every night.
Prometheus was eventually rescued from this suffering by Hercules, the Greek hero.
Zeus, as a further punishment, caused Pandora to open a jar that released all the ills that afflict humanity.
Prometheus daring to steal the fire made him an admiral figure among writers of the Romantic and afterwards.
A play Prometheus bound written by the Greek dramatist Aeschylus had a critical essay written by romantic poet Coleridge.
German writer Goethe wrote a poem in 1770s seeing him as a figure of humanities creative powers and revolt against social and political restraint.
Byron also wrote a poem about Prometheus in July 1816 and in the same summer she helped him in making a fair copy of Canto III of his poem Childe Harold which contains referenced to Prometheus.
Percy Shelley was also writing his lyrical drama Prometheus Unbound in Italy during 1818/19 and will have likely discussed the poem earlier than this.
Prometheus Unbound follows the view taken by Goethe of Prometheus as a heroic figure defying the tyranny of the gods for humanity.
Prometheus Unbound is a political allegory aimed at the political oppressions of the day, and science and psychology.
The punishment of Prometheus and the foolishness of Pandora is a version of the fall and end of innocence as in Genesis.
Victor can be linked with Prometheus as he harnesses the power of lightning to animate his monster.
Prometheus defies the supreme being and continues to pursue knowledge (symbolised by fire) until its fatal consequences, paralleling victor clearly.
Mary Shelley was born in London in 1797, the only daughter after her mother died ten days after her birth.
Mary Shelley’s father, William Godwin, raised her and his second wife Mary Jane Clairmont, who Mary Disliked.
Mary Shelley was educated at home by her father, who was interested in new theories for education, but these were not applied to the upbringing of his daughter.
The household was intellectual, often visited by leading writers of the period and Mary Shelley read widely, learning Latin, Greek, French and Italian.