Othello Quotes difficult

Cards (30)

  • Othello (1.2) "My parts, my title, my perfect soul"

    Hubris/ defying racial stereotypes/ blindness to racial stereotypes/ motif of soul
  • Othello (1.2) "Keep up your bright swords, for the dew will rust them"

    Biblical reference/ link to heaven not hell/ well spoken/ defies racial stereotypes/ control + rationality
  • Othello (2.1) "May the winds blow till they have wakened death"

    Othello idealises their relationship/ wishes for more storms (in their relationship)/ Introduces the chaos of Cyprus/ foreshadows death/ links to fate or water current
  • Othello (3.3) "O curse of marriage That we can call these delicate creatures ours and not their appetites!"

    No longer idealises love/ possessive/ animalistic/ belittling/ Desdemona's loss of power/ motif of appetite
  • Othello (3.3) "I'll tear her all to pieces"

    Rational to irrational/ conforms to racial stereotypes/ wants to destroy he body/ warlike in domestic life/ object to be disposed of
  • Othello (3.4) "there's magic in the web of it"

    Language mirrors Iago (web)/ conforming to racial stereotypes/ using magic/ handkerchief manipulation story
  • Othello (4.1) "I will chop her into messes"

    Destroying her body/ racial stereotypes/ uncontrolled
  • Othello (5.2) "when I have plucked the rose I cannot give it vital growth again"

    Romance turns to death and destruction/ easy to pick a flower or kill a woman/ he realises it is final
  • Iago (1.1) "I am not what I am"

    Biblical reference/ duplicitous/ flips heavenly reference
  • Iago (1.1) "An old black ram is tupping your white ewe"

    Dehumanised/ racist/ as if it is inflicted upon her or un consensual/ makes her seem innocence/ hints at insecurities (age and race)
  • Iago (2.1) "you are pictures out of doors, Bells in your parlours, wild-cats in your kitchens"

    Misogynistic view/ women need to be tamed/ domestic vs public realm
  • Iago (2.1) "Doth like a poisonous mineral gnaw my inwards"

    Motiveless malignancy/ eaten away by jealousy like Othello/ his chaos will spread like poison
  • Iago (2.3) "And out of her own goodness make the net That shall enmesh them all"

    Lack of humanity/ manipulates her goodness/ sets her up as a tragic victim/ he will trap them in his chaos/ motif of net or web
  • Iago (3.3) "jealousy! It is the green-eyed monster, which doth mock The meat it feeds on."

    It is a manipulated truth/ manipulates Othello's hamartia/ motif of monster it is actions not looks that are monstrous/ feeds like how Iago has an appetite for chaos
  • Desdemona (1.3) "A moth of peace... Let me go with him"

    She doesn't wants to be objectified, a light in the dark/ starts the play with power and a voice/ but only due to Othello needing her
  • Desdemona (2.1) "our great captain's captain"

    Iago dislikes the idea of a woman in power/ Desdemona is empowered at the beginning of the play/ more power over Othello/ doesn't use it wisely
  • Desdemona (3.3) "His bed shall seem a school... with Cassio's suit"

    Desdemona is naive to Othello's jealousy/ she will create the image of being un loyal/ her goodness is manipulated
  • Desdemona (3.4) "My noble Moor Is true of mind, and made of no such baseness As jealous creatures are"

    Desdemona uses racial stereotypes adding to his insecurities/ she believes she still has some ownership or power/ Emilia is more experienced in men's evil/ idealised love/ naivety
  • Desdemona (4.3) "If I do die before thee, prithee shroud me In one of these same sheets"

    Desdemona gives into her murder/ building pathos/ symbol of her undying love/ sealed fate as tragic victim/ the sheets that represented their love now represent death
  • Desdemona (4.3) "wouldst thou do such a deed for all the world?"

    Desdemona's naivety contrasted with Emilia's experience/ Desdemona doesn't have to fight for power so doesn't realise how much power is important to women/ still idealises Othello
  • Emilia (3.3) "I nothing but to please his fantasy"

    Loyal to Iago/ gives into mysogony at beginning of the play
  • Emilia (3.4) "They are all but stomachs, and we all but food: They eat us hungerly, and when they are full they belch us"

    Emilia is more worldly/ only speaks in domestic realm/ women are at the mercy of men/ teaching Desdemona when a man is bored he will move on/ motif of appetite/ predatory
  • Emilia (3.4) "It is a monster begot upon itself"

    Mirrors Iago's language/ monster motif it is Othello's jealousy that makes him monstrous / jealousy multiplies/ warning Desdemona from experience/ if Desdemona listens her fate isn't inevitable
  • Emilia (4.3) "It is a great price for a small vice"

    Emilia recognises that women should take any power they can get/ Her marriage is not idealistic/ only speaks in the domestic realm
  • Emilia (5.2) "may his pernicious soul Rot half a grain a day!"

    She is now more loyal to Desdemona/ wants him to feel pain for what he has done in hell
  • Emilia (5.2) "I will not charm my tongue, I am bound to speak"

    Loyal to Desdemona/ won't use witchcraft/ speaking out in the public sphere/ suffers ultimate price/ foil of Desdemona
  • Bianca (3.4) "You are jealous now"
    Bianca and Cassio's relationship is a foil of Othello and Desdemona's as they recognise their problems
  • Brabantio (1.3) "she has deceived her father and may thee"

    Desdemona has the power to choose/ increases Othello's insecurities/ foreshadows his downfall
  • Roderigo (5.2) "O damn'd Iago! O inhuman dog!"

    Roderigo's Anagnorisis/ truth about Iago and his lack of honesty/ realises his inhumanity
  • Cassio (2.3) "I have lost my reputation! I have lost the immortal part of myself, and what remains is bestial"

    Power of masculinity/ Iago drags down his reputation like he will do with Othello/ shows how important societies views on you are/ Cassio can admit his flaws so is not monstrous