As Hamlet begins considering what it would mean to actually
get revenge—to actually commit murder—he begins waffling
and languishing in indecision and inaction. His inability to act,
however, is not necessarily a mark of cowardice or fear—rather,
as the play progresses, Hamlet is forced to reckon very
seriously with what retribution and violence in the name of
retroactively reclaiming “honor” or glory actually accomplishes.