One in a series of works that illustrate womens relationship w/ animals
Many of Smith's works from this period feature a female protagonist known as "LittleRedRiding Hood" and SainteGenevieve (her close relationship with animals)
Based on the subjectmatter of this work, the female seems to be more representative of SainteGenevieve - LRRH is depicted as being afraid of the wolf in her fictional story, while Sainte Genevieve is known for beingclosewithanimals
PreyingMantra Pt. 1 (Mutu's Childhood)
Grew up in Kenya, Africa
She realized black women were not represented in Western television when she was a child
She showcases black women throughout her work
She uses a lot of classical painting references for poses, she also loves using different categories of photography for collages
She refers to her work as "surgical" because of her tedious process in cutting and combining images
She "destorys hierarchies" through combining the body with images "from another world"
Preying Mantra Pt. 2 (The piece itself)
A photomontage is overlapping photographs
Early inspiration: Hannah Hoch (spliced images) and Romare Bearden (use of collage)
Hybridity: Mixing of cultures of colonized people and the colonizers - causes a disruptive understanding of cultural identity
She chose to title this work "preying mantra" because the praying mantis can camouflage itself to match its environment