Lear: There’s hell, there’s darkness, there is the sulphurous/ pit – burning, scalding, stench, consumption! Fie, fie,/ fie! Pah, pah! (IV.6)
The pejorative diction choices create aggression and passion in his speech, the hellish imagery elicits images of justice to be served by the Gods in the afterlife, and also anachronistic to a Christian hell – recognisable by a Jacobean audience. The hyperbole creates a tone of disgust at female sexuality.