born in London but lived around Europe - notably Russia
Russian poets Anna Akhmatova as influence
Centred around socio-political customs within foreign countries - emigree investigates these emotional concepts
Doesn’t conform to a political or historical contexts to allow a universal focus on the emotional experience of emigration
The relevance endures through time
sunlight and warmth topic sentece
in the emigree rumens uses the extended metaphor of sunlight and warmth to symbolize the speakers idealised and emotionally nourished memories associated with her homeland, contrasting them with the harsh realities of emigration
sunlight and warmth- “sunlight”
employs epistrophe by closing each stanza with the noun “Sunlight”
Irrepressible force which will break through despite anguish and tyranny
sunlight and warmth - “it tastesofsunlight”
Synesthesia to depict how strong her memories are they encompass all her senses
Alternatively the excessivelyfigurativelanguage reinforces how the city she remembers is now very much rhetorical and not real
sunlight and warmth - “butiambrandedbyanimpressionofsunlight“
juxtaposes the speakers positiveromanticised view with the reality of the city
verb “branded” connotes aggression and pain
plosive “B” could convey nature of speakers memory of forceful and destructible
metaphor of a lover - “it liesdowninfrontofme“/“i combitshair“/“my city takesmedancing“
in third stanza the extended metaphor of a city as a lover paints archetypalimagery of romance
explores the way in which the speaker romanticises the memory of her city is so powerful it personifies her mind
transitions in language - city shifts from passive to active
“takes her dancing” suggests she transitions into a position of comparativeweakness within her new city
old city is her support network
Exile
idyllic description of her past city is strongly juxtaposed with current
explores theme of exile as the speaker seemingly emits in a paradox in her new city
Oxymoronic phrase “my shadowfallsasevidenceofsunlight“ portrays and impossible image
She exists in a liminalfantasy - not welcome
allusion to fantasy
opens with temporal phrase “there wasonceacountry“
reminiscent of fairytale
imbues text with child like sense of fantasy
questions reliability of testaments - clear she has allowed her perception of her past home to be gripped by a fantastical and imaginativequality
followed by caesura in form of ellipses - reinforces vulnerability
installs pause to retrieve thoughts
idyllic childhood was interrupted as descends into warfare
Form - first person
explores inner emotions of the emigree speaker in the poem and the effects of war
Free verse with no regularrhythm of rhyme scheme exposes true nature of her city as rife with disarray
Makes poem feel conversational Presenting it as a flowingstream of consciousness
form - fairly regular structure
compromised of 3stanzas
First 2 are an octave and last is a Spenserian
Maintains a somewhat regularstructure
Attemp to impose a sense of order over her city
Descends into chaos
structure - enjambment and end stop
frequency of enjambment depletes through poem could depict the initial freedom of her old city in comparison to the claustrophobicconfinement she feels
Threateningtoneemulates a sense of finality to mourn the truth
Enjambment could represent speakers lack Of control
Words flowing away much like the city she remembers fleeting into tyranny
structure - repetition
detaches pronoun “they” punctuates final stanza
imposes belligerent tone and separation between ”her” and “them”