The history of art is the history of any activity or product made by humans in a visual form for aesthetical or communicative purposes, expressing ideas, emotions or, in general, a worldview
Egyptian Art (c. 3000 BCE – 350 BCE):
Concerned with immortality, Egyptian culture was centered on death and the afterlife
Art made for gods, monarchs, and the dead for their journey to the afterlife
Tombs in Egypt elaborately decorated with hieroglyphics, statues, pottery, jewelleries, and paintings
Greek Art (c. 900 BCE – 30 BCE):
Nude figures, idealized human forms, and classical architecture originated in ancient Greece
Depicted myths, athletic competitions, symposiums, idealized nude figures, funerals, and religious ceremonies
Baroque (c. 1600 CE – 1700 CE):
Emotional, realistic, and dynamic style
Full of movement, exuberant colors, and dramatic contrast of light and dark
Subjects viewed as participants on a stage that extended beyond the canvas
Rococo (c. 1700 CE – 1776 CE):
Decorative, elaborate art with fluidity, curving lines, and lustrous colors
Depicted courtly lifestyles and playful love lives of the aristocracy
Neo-Classicism (c. 1780 CE – 1820 CE):
Focused on line and symmetry, using set proportions and exact perspective
Generated a more uniform, ideal work of art
Romanticism (c. 1800 CE – 1850 CE):
Focused on emotional experiences and contemporary events
Rejected Enlightenmentideas and emphasized nature'senduringpower
Realism (c. 1850 CE -1900 CE):
Attempted to represent subject matter truthfully, without artificiality
Emerged in France in the 1840s, rejecting Romanticism
Mona Lisa by Leonardo Da Vinci exemplifies Realism
Impressionism (c. 1860 CE – 1886 CE):
Artists reacted to photography by capturing light's effect on figures and scenery
Painted scenes in plain air with short, heavy brushstrokes of color
Fauvism (c. 1904 CE – 1908 CE):
Intensified colors used by Impressionists, expressing emotions
Colors were unrealistic and undiluted, expressing emotions about subjects
Cubism (c. 1908 CE – 1914 CE):
Abstracted surroundings logically, influenced by African art
Broke subjects into geometric forms and used multiple vantage points
Surrealism (c. 1921 CE -1942 CE):
Originated in the early 1920s based on the writings of poet André Breton
Influenced by psychological theories of Sigmund Freud, sought to express the subconscious in dreamscapes
Surrealist art, such as Miró's, appears whimsical due to its improvised nature
The horrors of World Wars I and II and the Great Depression of the 1930s impacted both Miró and Snead
By emphasizing the subconscious in their art, these artists may have found and provided a diversion from difficult times
Abstract Expressionism emerged shortly after World War II, with New York City becoming the center of attention in the art world
Artists like Norman Bluhm, a former fighter pilot, moved away from traditional ideas and styles due to the hard times of the Depression and the war
Surrealist themes of the subconscious and various Post-Impressionist movements influenced American painters
Two routes used by artists to express concerns with human irrationality and vulnerability were Action Painting and Color Fields
Ancient Egyptian culture was centered on death and the afterlife
Art was made for gods, goddesses, monarchs, and the dead for their journey to the afterlife
Egyptians decorated tombs with hieroglyphics, statues, pottery, jewelry, and paintings
Greek art originated almost 3,000 years ago and influenced Western culture
Nude figures, idealized human forms, and classical architecture originated in ancient Greece
Greek art depicted myths, athletic competitions, symposiums, idealized nude figures, funerals, and religious ceremonies
Baroque style is described as emotional, realistic, and dynamic
Baroque painters saw the canvas as a stage and paintings are full of movement, exuberant colors, and dramatic contrast of light and dark
Protestant Reformation led to more secular art in the Baroque era portraits and landscapes
Rococo art was decorative, elaborate, and characterized by fluidity, curving lines, and lustrous colors
Favourite subjects for Rococo artists were the courtly lifestyles and playful love lives of the aristocracy
Neoclassicism focused on line and symmetry, using set proportions and exact perspective
Romanticism focused on emotional experiences and contemporary events
Realism aimed to represent subject matter truthfully, without artificiality or implausible elements
Realism emerged in France in the 1840s, rejecting Romanticism
Impressionism revolutionized painting techniques by capturing light's effect on figures and scenery
Impressionists painted scenes in plain air, using short, heavy brushstrokes of color to express movement and light
Fauvism intensified colors used by Impressionists and expressed emotions through unrealistic colors
Cubism abstracted surroundings into geometric forms and used multiple vantage points
Surrealism focused on dreams and subconscious thoughts, influenced by psychological theories of Sigmund Freud