At the beginning of the 19th century under the British Raj, Indian art displayed a general decline
Craft and techniques of fresco and miniature paintings were nearly lost, with miniatures being replaced by European oil painting
Raja Ravi Varma was famous for his paintings of mythological subjects and portraiture, showing western influence in his oil paintings
Abanindranath Tagore tried to recreate a new style in painting
Nandalal Bose, Benode Behari, and others followed a sense of nationalism, leading to the emergence of the Bengal School in the first half of the 20th century
Artists like Jamini Roy gave a modern form to folk art, while Rabindranath Tagore introduced expression in his painting
Amrita Shergil drew on both Western and Indian traditions, holding a unique position as the first lady of modern Indian art
Raja Ravi Varma's painting "Hamsa Damayanti" was painted in 1899 in oil and displayed at the Madras Fine Arts Exhibition, showing Western technique influence
The painting depicts Damayanti wearing a red Sari, listening to messages from her lover Nala narrated by the swan (Hamsa)
Amrita Shergil's painting "Brahmacharies" from 1938 shows five male figures symbolizing devotion in the Hindu faith, with a composition emphasizing colour variations and simplicity
Gaganendranath Tagore's painting "The Atrium" from 1920 is a fine example of Cubist influence, showing a blend of light and dramatic effect with colours