The writer vividly describes the mountainous landscape, emphasizing the repetition of the noun 'mountains' to convey immensity and awe
The analogy of a 'giant child' sculpting the terrain engages the reader's imagination
Precise and powerful verbs like 'gathering,' 'piling,' and 'knuckling' vividly depict the crafted nature of the landscape
The adjective 'first' intensifies the sense of novelty
The present tense in the second paragraph creates immediacy, with the phrase 'It is my first night in Thimphu'
Numericaldetails like the 'ninety-minute drive' and 'five different flights over four days' provide an understanding of the remoteness of Thimphu
A list of unappealing breakfast items - 'instant coffee, powdered milk, plasticky white bread, and flavorless red jam' conveys disappointment with the hotel's offerings
Introduction of 'two other Canadians' as companions suggests a sense of friendship, with descriptions of Lorna's 'ringing laughter' and Sasha's 'impish smile'
Their excitement about Bhutan, having 'travelled extensively,' builds anticipation for unique experiences the country might offer
The writer expresses surprise at Thimphu's size and tries to relate it to a western audience by emphasizing the lack of trafficlights and irregular presence of trucks or land cruisers
The “incomprehensible” signals from “blue-suited police”highlight her foreigner status
Lists of items sold by shops and unexpected signs of the outside world against the Bhutanese background evoke wonder and curiosity in the reader
The writer's admiration for Bhutanese people is evident in her description of their looks and qualities
Use of Bhutanese words in italics like “bhotanta” and “Bhu-uttan” underlines her journey in learning a new language, providing a shared learning experience with the reader