Structure - Twice

• The poem 'Twice' is written in the Rhyme Scheme ABACDBDC, the irregular rhyme pattern avoids the predictability of couplets or alternating rhyme, creating a slightly jarring and uneven musicality - This mirrors the speaker’s emotional instability and the fractured experience of rejection and spiritual transformation - Rossetti uses this disruption in rhyme to echo how human love is disjointed and uncertain, in contrast to divine wholeness
• The poem 'Twice' is written in the Rhyme Scheme ABACDBDC, the rhyme scheme places emphasis on disconnection within each stanza, allowing certain rhymed lines to be separated by unrhymed ones - This structural distancing reflects the speaker’s internal conflict - torn between her emotional vulnerability and rational restraint - The rhyme becomes a subtle expression of how passion and judgement rarely align
• The poem 'Twice' is written in the Rhyme Scheme ABACDBDC, the delayed rhyme in this pattern suggests a gradual unfolding rather than immediate resolution - Just as the speaker’s journey to faith takes time, the rhymes do not fall where expected, symbolising a path that resists closure until divine acceptance is reached - Rossetti’s rhyme scheme reflects the idea that spiritual clarity requires waiting, patience, and trust
• The poem 'Twice' is written in the Rhyme Scheme ABACDBDC, the rhyme pattern revisits sounds across the stanza rather than resolving them quickly, enacting a cyclical structure of return - This echoes the theme of Twice - the speaker returns with her heart not once, but twice - once to man and then to God - The rhyme mirrors this act of repetition and revisitation, both formally and emotionally
• The poem 'Twice' is written in the Rhyme Scheme ABACDBDC, though the rhyme scheme initially appears irregular, it maintains a quiet order, reflecting the hidden structure behind emotional expression - This aligns with the poem’s theological arc: what seems chaotic in human love is ultimately made meaningful through divine perspective - Rossetti uses the rhyme to hint at a higher, unseen pattern - mirroring God’s presence in emotional disorder
• The poem 'Twice' uses Anaphora, the repetition of "I take my heart in my hand" at the beginning and end of the poem creates a rhythmic insistence, highlighting the speaker’s desperate plea for recognition and love - This anaphora emphasizes her vulnerability, showing how she repeatedly offers herself despite past rejection - It conveys both her emotional rawness and the cyclical nature of her longing for acceptance
• The poem 'Twice' uses Anaphora, this mirrors the speaker’s emotional development throughout the poem - By repeating key phrases, Rossetti tracks the movement from human love, marked by fragility and uncertainty, to divine love, which is firm and resolute - This repetition reflects the speaker’s progression from earthly attachment to spiritual redemption, marking a shift in focus and tone
• The poem 'Twice' uses Anaphora, this contributes to the poem’s rhythmic flow, creating a musical quality that echoes the speaker’s inner emotional state - The repeated phrases serve as both emotional intensifiers and structural anchors, giving the poem a sense of cohesion despite its thematic fluctuations - The rhythm established by anaphora thus becomes a vehicle for the emotional cadence of the speaker’s plea and reflection
• The poem 'Twice' uses Anaphora, the speaker implicitly parallels God’s unwavering persistence in love and mercy, despite human flaws and imperfections - The anaphora suggests that just as the speaker continues to offer herself, God’s acceptance is constant and unyielding - This repetition implies that divine love is steadfast, even when human love falters
• The poem 'Twice' uses Anaphora, the repeated use of "O my love" at the beginning of the poem transitions to "O my God" later on, marking a shift from the speaker’s human longing to spiritual devotion - This anaphora underscores the speaker’s journey from unrequited earthly love to a deeper, more unconditional connection with God - The change in invocation highlights the speaker’s evolving understanding of love - moving from a fragile, human love to a more enduring, divine love