enmediares - regular occurrence and it is only 1 of many vileexperiences
thrown into action just like soldiers are expected to adapt, assumingno mental consequences
imperativeverb "sent", soldiers are helpless and are left with nochoice but to fulfil a murderous duty
"possibly armed, possibly not."
speaker wants to believe vs sliver of doubt remains
anaphora, repeated to show how he is stillwracked with doubt and guilt as to whether the man was a threat
cyclicalstructure mimics how his doubt keeps returning as though it is engrained within his conscience
guilt is the crux of his suffering leading him to remain in a constant state of confusion and despair
"Well myself and somebody else and somebody else"
attempt to syntactically cram the sentence with other people in order to shift the blame
flickers from internalisation of guilt to deflection exposing his gruellingmental state of innerturmoil
can't fathom or digest the events, as there was noguidance or recognition of PTSD
"'all of the same mind" / "three of a kind"
dehumanisedinstruments of war, war has stolen all sense of individuality and identity from leaving nothing to separate them as they become carcasses of insanity and shells of their former selves
stripped away morals, not viewed to be a human but are instead viewed as an extension of machinery from higher powers, that can be easily disposed of
well being was secondary to them being weapons of welfare
reference to poker, indictment of dehumanisation
"and I swear / I seeevery round"
enjambment mimics how he is unable to separate events, trauma causes all of his experiences to be mixed into continuousdialogue mirroring how his memoriesmix to build and enhance upon his turmoiledmentalframe
the enjambment occurs at key moments of death and suffering : it breaks him just like it breaks the structure
"sort of inside out"
colloquial language creates a desensitised ambience, soldiers are expected to normalise this brutal onslaught of lives for a war, expected to hide their true emotions behind a tough exterior
"Then I'm home on leave. But I blink"
caesura - highlights the discordant nature of his mindset, forcing the reader to stop, interrupting his sentence just like the flashbacks interrupts his life = disjointed and fragmented mindset and sentence
conjunction "but" implies that there is more so his suffering isn't truly over, demonstrating the virulent effects of dwelling on the event relentlessly as he becomes engulfed by inescapable trauma
even though he escaped the physical war, he can't beat the mental battle with his thoughts, forcing him to break away from reality
"And the drink and the drugs won't flush him out"
plosive alliteration of toxicities emphasises them as poignant, temporary, copingmechanisms to momentarilyescape the hellish thoughts, because their mental health was notrecognised
subverts the idea that physical trauma was the mostimmeasurable impact as Armitage shows how devastating and all-consuming the psychological impact is
almost as though it is a prolongedsuffering, can't escapehell on earth
through making an addiction seem like a natural aftermath of experiencing war, it becomes a universal poem that remains timeless
"some distant, sun-stunned, sand-smothered land"`
sibilance mimics bullets but also shows how their suffering is never-ending
the life he has lived has been tarnished by these permanent memories that won't fade away with time, he may of physicallyescaped the way but he was mentallykilled,
based on the heart-wrenching experience of Guardsman Tromans
shift from "myself and somebody else and somebody else" to "my bloody hands"
he has gradually come to terms with his culpability and guilt instead of puttingblame on others
also the shift in recollection of the event shows that memory is not infallible and can be corrupt
he has become malleable and sensitive due to the detrimentalpsychological impact
"his bloodylife in mybloodyhands"
adjective "bloody" - literal blood from his barbaric death or a means of cursing..
colloquial lang, shows how soldiers are expected to remain brave and stoic, his casual vernacular mirrorscasualnature to violence as a result of being desensitise to it
= accustomed to voilence whilst the very act of him discussing his emotions contradicts society's stigma around masculinity
blood could be a motif for guilt, the root cause of his suffering, may insinuate that he values the killing as unjust perhaps justifying his feelings of guilt