Mr. Birling describes the politics of the day as revolving around “Capital versus Labor agitations”
Mr. Birling is a representative Capitalist who cares only about his company’s profit
He sees himself as “a hard-headed, practical man of business” and looks forward to the prospect of being knighted
Mr Birling
Firmly entrenched within 1912 ante-bellum (before the war) English social elite
Owner of Birling and Co. which only employs young women at extortionately low wages
Married to Mrs Birling (Sybil), who accepts her own domination by Mr Birling
Indifferent to his daughter's (Shelia) concerns regarding Gerald's alleged affair as this could compromise the economic relationship between the Croft business and his own
Capitalism personified
Mr Birling is the living embodiment of the capitalist ideology (everything revolves around profit at all costs)
Mr Birling's physical appearance is a reflection of capitalism; he wears formal clothes, he is "heavy looking" (symbolises greed) and frequently displays his "portentous" attitude (he tries really hard to impress people)
Birling's clearly pompous perspective (self-absorbed) is evidenced through his immediate reclamation of the spotlight after Sheila and Gerald's engagement is announced
Mr Birling values Sheila on her capacity to further the family company
He objectifies her as a bargaining chip
Mr Birling's business is of greater importance than his own family
This foreshadows Mr Birling's indifference to Eva Smith's suicide, which is initiated through his refusal to grant her a pay rise
Mr Birling attempts to bribe the Inspector "(unhappily) Look, Inspector - I'd give thousands - yes, thousands -", to prevent losing wealth and social status through a criminal record
Insecure in his own social position
Mr Birling's humble beginnings are evident from the stage directions as his tendency to be "provincial in speech" (he speaks with a noticeable accent) reveals his lower-class origins
Mr Birling constantly reminds people of his status in society, through bringing up former roles as "Lord Mayor" and suggesting "there's a very good chance of a knighthood"
Mrs Birling is Mr Birling's natural "social superior" and is embarrassed by Mr Birling acknowledging his staff
Seeming superficiality of wealth
The Birling's wealth seems unnatural as Mr Birling is not from a traditionally wealthy background and instead made his own money
Priestley's opening description of the Birling household through stage directions as "substantial and heavily comfortable but not cosy or homelike" immediately indicates the great wealth of the Birlings, yet the lack of feeling like home reinforces the cosmetic nature of their comfort in their own wealth
Nouveau riche
Mr Birling's character is condemned and looked down upon by higher-class men and those from respected families due to his lack of an aristocratic (noble) background
Priestley uses the character of Mr Birling, not only as a method to critique capitalism, but to reveal the cycle of oppression caused by social divisions and classism
Mr Birling has worked for his high social status and sees himself as proof that if the lower classes work hard enough they too can succeed like he did: "a man has to make his own way - has to look after himself"
Mr Birling's desire to dismiss Eva's suicide is catalysed by the pressure of maintaining his public image and ensuring that he is not rejected from the society he worked so hard to enter
Mr Birling's "provincial" speech bears connotations of conservatism and an unwillingness to change, which is reflected in his rejection of socialism (a concept of community and equality in society) as "nonsense"
Gerald's theory of the Inspector not being real is "eagerly" and "triumphantly" accepted by Mr Birling, despite his actions being real
For Mr Birling to accept social responsibility, he would have to sacrifice the profiteering methods of exploiting labourers and paying subsistence wages (just enough to live on)
Priestley's use of the adverb "eagerly" to describe both Mr Birling's denial of the Inspector's existence and also Sheila's agreement with Eric that "this girl's still dead" emphasises the divide between the generations
Mr Birling, and the older generation as a whole, intend to live in the same fashion as they did before the arrival of the Inspector
The cyclical structure of Mr Birling's outlook creates a static character, who cannot change
Priestley manipulates the audience into siding with his personal preference of socialism, as they turn to this alternative in disgust of Priestley's presentation of Mr Birling as uncaring, self-absorbed and manipulative, all traits we come to associate with capitalism
Priestley ends the play, also, with another phone call - perhaps this time from a 'real' Inspector. This cyclical device is used to warn the audience of not taking on board social responsibility themselves
Priestley immediately creates a divide between Mr and Mrs Birling through the stage direction "her husband's social superior"
Mr Birling married Mrs Birling for her social status rather than love. Their marriage was a transaction - Mr Birling's financial stability in exchange for Sybil's reputable family
The lack of love and intimacy in their relationship is demonstrated through Mrs Birling "reproachfully" (disapprovingly) ordering Mr Birling to sit in the "drawing room"
Preference of socialism
Disgust of Priestley's presentation of Mr Birling as uncaring, self-absorbed and manipulative, traits associated with capitalism
Priestley ends the play
With another phone call, perhaps from a 'real' Inspector
Cyclical device
Used to warn the audience of not taking on board social responsibility themselves
Marriage to Mrs Birling
Priestley immediately creates a divide between Mr and Mrs Birling through the stage direction "her husband's social superior"
Mr Birling married Mrs Birling
For her social status rather than love, their marriage was a transaction
Lack of love and intimacy in their relationship
Demonstrated through Mrs Birling "reproachfully" responding to Mr Birling
Mr Birling's relationship with his son Eric
Lacks a sense of familial connection
Eric opposes the way his father runs Birling & Co. and is against the way his father exploits the employees
Yet he accepts his privileged life
Father-son divide
Symbolic of the divide between the older generation and the younger generation
Mr Birling exclaims "we try for the highest possible prices"
Eric demonstrates his disgust with the rhetorical question "why shouldn't they try for higher wages?"