Gerald Croft πŸ’πŸ’”

Subdecks (1)

Cards (59)

  • Gerald Croft is Sheila's fiancΓ© and the son of the wealthy businessman Mr Croft
  • Gerald is employed at his father's company, Crofts Limited, which competes with Birling & Co
  • Gerald's parents, Sir George Croft and Lady Croft, are socially superior to the Birlings
  • Priestley describes Gerald as an attractive, well-bred young man-about-town
  • Gerald contributes to the chain of events leading to Eva's suicide by using her as a mistress
  • Priestley uses Gerald to represent the individualism of the upper class
  • Gerald fails to change his capitalist and selfish attitudes, disappointing the audience
  • Gerald is portrayed as physically attractive, privileged, and likable
  • Priestley describes Gerald as "rather too manly to be a dandy", suggesting his confidence in masculinity
  • Gerald is depicted as an ideal husband and son-in-law due to his financial security and social status
  • Gerald's social status contributes to his attractiveness in 1912 British society
  • Gerald is portrayed as experienced with prostitutes, spending time in bars and socializing with them
  • Gerald's guilt for his actions towards Eva Smith is short-lived, showing a lack of true remorse
  • Gerald is portrayed as pragmatically moral, following a moral stance only when it suits his needs
  • Priestley presents Gerald as materialistic, viewing the world through possessions and financial aid
  • Gerald is depicted as patronizing and misogynistic, condescending towards women
  • Gerald excludes women from the current situation and tries to oppress women's voices
  • Gerald implies that Sheila is too emotional to think clearly and logically, suggesting she should leave the thinking to men
  • Gerald perpetuates a demeaning cult of victimhood by suggesting that young women should be protected from unpleasant things, yet he failed to protect Eva from his own actions
  • Priestley exposes that Gerald's true motive for wanting Sheila to leave is to hide his affair with Eva
  • Priestley intends for Gerald to be neither hated nor loved by the audience, maintaining him as a redeemable character with relative ambiguity
  • Priestley exposes the audience's indoctrination into a class-based system that favors them, showing their hypocrisy in responding to obvious suffering but ignoring subtle exploitation
  • Priestley conveys that apparent changes in attitudes of the upper-class are superficial through Gerald's actions
  • Gerald's monopoly on the narrative allows him to absolve himself from responsibility and adapt his story to the Inspector's knowledge
  • Gerald's dramatic exit after telling his story offers interpretations of guilt or entrenched feelings for Eva, showing a different side to him compared to the Birlings
  • Gerald's relationship with Eva is portrayed as predatory, with him viewing her as prey and objectifying her
  • Gerald's marriage to Sheila and his pursuit of Eva highlight gender norms and class differences in 1912 British society
  • Priestley uses euphemistic language to conceal Gerald's use of prostitutes, referring to them as "women of the town"
  • Gerald's relationship with Eva in the play explores how women were exploited and abused in 1912 society
  • There is a clear imbalance of power between Gerald and Eva in terms of social position and influence
  • Priestley portrays Gerald as having a distinct emotional reaction to Eva's death, which was considered a feminine trait at the time
  • Gerald disguises prostitution as charity through monetary exchanges with Eva
  • Priestley reveals the internal conflict within Gerald between his emotional reaction and societal expectations of masculinity
  • Priestley presents a pattern of the upper classes committing wrongful actions but convincing themselves it is acceptable
  • Gerald manipulates the truth by suggesting Eva was different girls, excusing his behavior and trying to maintain innocence
  • Priestley explores Gerald's initial attractive appearance and his portrayal as a husband and son-in-law
  • Priestley demonstrates how the upper class can manipulate the truth, reflecting the patriarchal society
  • Gerald's quote bank by theme includes responsibility, likeable appearance, capitalism, desire and lust, and class