AP Art HIstory

    Cards (26)

    • The Swing Jean-Honore Fragonard
      1767
      setting of dense garden, figures are small, bishop is pushing, sexual promiscuity, bright colors and tones is happy, frivolity of upper class
    • Self Portrait
      Elisabeth Louise Vigee le Brun
      1790
      Oil on canvas
      portrait arist of antoinetee, status gained royal academy spot, color pallette weakened bit of Rococo, painted 40 self portraits, depiction of young happy artist, direct gaze, looking at Le Brun admiring
    • A Philosopher Giving a Lecture at the Orrery
      Joseph Wright of Derby
      1763-1765
      Oil on canvas

      mechanical model of solar system, listening to a lecture, Wright most popular painter of Age of Reason, popular to depict scientists and philosophers that was akin to depicting religious figures, modern event in history lens, dramatic light carvaggio effect, loosely based off newton portrait, faces are aspect phases of moon
    • The Oath of the Horatii
      Jacques-Louis David
      1784
      Oil on canvas

      standard for neoclassical, moments before fight, swearing allegiance to rome, shows loyalty to family over marriage, commissioned to King Louis to remind loyalty, David official artist of french revolution, mixture of neoclassical and non
    • George Washington
      Jean-Antoine Houdon
      1788-1792
      Marble
      commissioned to virginia legislature, houdon was world renowned, embodies truth simplicity and grace, Jefferson introduced Houdon to neoclassical art, founding fathers connected to ancient greek and rome because ideas of democracy, neoclassicalism twist, idealism + naturalism, Washington wanted uniform instead of toga to be more modest, contrapposto , far away gaze
    • Monticello
      Thomas Jefferson
      Virginia
      1768-1809
      Brick, glass, stone, and wood
      Studied work of Palladio influence, roman and renaissance styles (octagonal dome), UVA modeled after it, locally sourced materials as part of Jeffersons MO,
    • La Grande Odalisque
      Jean-Auguste-Dominique Ingres
      1814
      Oil on canvas
      transition from neoclassical to romantic, commissioned to sister of napolean, Ingres received poorly in paris, reclining nude body, anatomy unrealistic, mannerist, fabric realistic, turkey symbols,
    • Y no hai remedio (And There’s Nothing to Be Done)
      From Los Desastres de la Guerra (The Disasters of War), plate 15
      Francisco de Goya
      1810-1823
      Drypoint etching
      Spanish war of independence, horrors by Napolean's troops, 80 etchings showing atrocities on both sides, awaiting death by firing squad with corpse next to him, future vs past fate, barrels of gun symbolic,
    • Liberty Leading the People
      Eugene Delacroix
      1830
      Oil on canvas
      visual commemoration of July revolution of 1830, King Louis kept painting hidden, pyramidal composition, position of church and houses incorrect, liberty is a winged victory figure ALLEGORY, symbols of class were the red cap, the flag, and bayonet.
    • Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On)
      Joseph Mallord William Turner
      1840
      Oil on canvas
      turner sympathetic to abolitionism movement, romanticism style, common for slavers to throw dead or dying slaves overboard, based on real events, supposed to evoke sympathy or outrage, loose brushwork with emotional colors to inspire impressionism, same time as anti slavery league, a few years later slavery is abolished in europe
    • The Oxbow (View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm)
      Thomas Cole
      1836
      Oil on canvas
      Cole was father of hudson river school originally from England, his sketches and paintings from hudson river of new style, wild v settled land, painted for an exhibit, high horizon line to show plenty of ground with sweeping views, cole is middle ground of piece
    • The Valley of Mexico from the Hillside of Santa Isabel
      Jose Maria Velasco
      1882
      Oil on canvas

      glorification of Mexican landscape, velasco was inspired by romaanticism, strong observer of landscape, modeled after European academies, twin mountains aztec myth, lake texococ and small hill where Virgin of Guadulupe appeared, small group of people travelling symbolizes relationship between humans and land
    • The Horse in Motion
      Eadweard Muybridge
      1878
      photograph
      photography fast enough to capture motion, used a trip wire and each image was separate, used in scientific journals to study horse movement, grandfather of motion pictures, invention is zoopraxiscope and early motion picture projector
    • The Stone Breakers
      Gustave Courbet
      1849
      Oil on canvas
      Destroyed in WWII
      realism , peasants depicted in reverence with daily lives that is portrayed as honest and sincere, one with the earth, submitted to salon, workers breaking rocks for paving has trapped composition, poverty is emphasized, large painting size was usually reserved for grand historical paintings, painting was a threat,
    • Olympia
      Edouard Manet
      1863
      Oil on canvas
      manets technique is not layering the coloring but mixing it correct the first time and pathces of colors to show depth, scandal at salon of 1865, inspired by venus of urbino, woman is cold and uninviting, olympia name for prostitutes, maid delivering flowers, simplified modeling
    • The Saint-Lazare Station
      Claude Monet
      1877
      Oil on canvas
      a view of one of the remodeled train stations in paris, exhibited at impressionist, one of 12, effects of steam light and color but not actual scene, gradiations of light, color overwhelms form, haussmann - redesign of paris allowed for mass transit, new plan of paris brought in trains that could easily remodel transportation,
    • The Coiffure
      Mary Cassatt
      1890-1891
      Drypoint and aquatint
      cassatt american painter who moved to Paris, impressionist group, access to world males did not, woman getting ready and fixing hair, no posing and very natural, Japanese influence on hair style and point of view and decor, pastel color scheme, curves vs edges of room, series of 10
    • The Starry Night
      Vincent Van Gogh
      1889
      Oil on canvas
      several careers before becoming a painter -- van Gogh was self taught and had a short but productive career of 1000 pieces, died without recognition, signature style of thick short paint strokes, can see some parts of canvas, painted at hospital with wave like impulses and cypress tree like flames , experimenting with painting night skies and little of his work focuses on this unique nighttime
    • Where Do We Come From? What Are We? Where Are We Going?
      Paul Gauguin
      1897-1898
      Oil on canvas
      stockbroker disillusioned with life, left family and moved to tahiti, spurred by duaghers death, story of life, definite rejection of greco roman influence, inspired by egyptian figures, gold corners inspired from byzantine work
    • Mont Saint-Victoire
      Paul Cezanne
      1902-1904
      Oil on canvas
      one of 11 paintings of elevated view of mountain, mature style, very interested in geometric constructions made from patches of colors, emphasis on solid forms and not hazy, interested in perceptual and not perspective rules, south of France, work inspires cubism
    • The Scream
      Edvard Munch
      1893
      Tempera and pastel on cardboard
      part of semi autobiographical cycle of the frieze of life, exists in four forms, iconic human figure in western art, represents symbolist movement, target of theft, inspired by post impressionism, walking along a wharf and cries out in scream with skull like head, Peruvian mummy exhibit, long thick brushtorkes, swirling patterns, color is symbolizing anguish, foreground and background blend into one another, separated form landscape by bridge,
    • The Kiss
      Gustav Klimt
      1907-1908
      Oil on canvas
      lovers embraced in kiss, use of gold leaf inspired by medieval covers, byzantine mosaics, combines elements of symbolism and nouveau, sought after portrait painter, emotional and decorative, disconnected from real world because of intense love contrast between skin and pattern/color of clothes,
    • The Burghers of Calais
      Auguste Rodin
      1884-1895
      Bronze
      rodin won commission from town of calais, narrative from hundred years war, six citizens volunteered to be prisoners to save town, miserable and dejected, wear sack clothes out of city and nooses around necks, sculpted each individually and then arranged together, in circle so no man is the center, details are simple
    • Palace of Westminster (Houses of Parliament)
      London, England
      Sir Charles Barry and Augustus W.N. Pugin (architects)
      1840-1870
      Limestone masonry and glass
      huge fire in 1834, debate over what arhcitecutal style to be used, perpendicular gothic style, 1000 rooms, recruited gothic, new structure towered over london, big ben reminiscent of clock tower
    • Still Life in Studio
      Louis-Jacques Daguerre
      1837
      Daguerreotype
      copper plate coated with silver iodine, stable clear images, inspired by dutch still lives, perfect subject for long exposure times, variety of textures, side lighting
    • Nadar Raising Photography to the Height of Art
      Honore Daumier
      1862
      lithograph
      nadar known for aerial photos of paris, was known to be quirky, print first shown in le bolevard, lithography, making fun of claim that photography is high art, inclusive type of photography
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