setting of dense garden, figures are small, bishop is pushing, sexual promiscuity, bright colors and tones is happy, frivolity of upper class
Self Portrait
Elisabeth Louise Vigee le Brun
1790
Oil on canvas
portrait arist of antoinetee, status gained royal academy spot, color pallette weakened bit of Rococo, painted 40 self portraits, depiction of young happy artist, direct gaze, looking at Le Brun admiring
A Philosopher Giving a Lecture at the Orrery
Joseph Wright of Derby
1763-1765
Oil on canvas
mechanical model of solar system, listening to a lecture, Wright most popular painter of Age of Reason, popular to depict scientists and philosophers that was akin to depicting religious figures, modern event in history lens, dramatic light carvaggio effect, loosely based off newton portrait, faces are aspect phases of moon
The Oath of the Horatii
Jacques-Louis David
1784
Oil on canvas
standard for neoclassical, moments before fight, swearing allegiance to rome, shows loyalty to family over marriage, commissioned to King Louis to remind loyalty, David official artist of french revolution, mixture of neoclassical and non
George Washington
Jean-Antoine Houdon
1788-1792
Marble
commissioned to virginia legislature, houdon was world renowned, embodies truth simplicity and grace, Jefferson introduced Houdon to neoclassical art, founding fathers connected to ancient greek and rome because ideas of democracy, neoclassicalism twist, idealism + naturalism, Washington wanted uniform instead of toga to be more modest, contrapposto , far away gaze
Monticello
Thomas Jefferson
Virginia
1768-1809
Brick, glass, stone, and wood
Studied work of Palladio influence, roman and renaissance styles (octagonal dome), UVA modeled after it, locally sourced materials as part of Jeffersons MO,
La Grande Odalisque
Jean-Auguste-Dominique Ingres
1814
Oil on canvas
transition from neoclassical to romantic, commissioned to sister of napolean, Ingres received poorly in paris, reclining nude body, anatomy unrealistic, mannerist, fabric realistic, turkey symbols,
Y no hai remedio (And There’s Nothing to Be Done)
From Los Desastres de la Guerra (The Disasters of War), plate 15
Francisco de Goya
1810-1823
Drypoint etching
Spanish war of independence, horrors by Napolean's troops, 80 etchings showing atrocities on both sides, awaiting death by firing squad with corpse next to him, future vs past fate, barrels of gun symbolic,
Liberty Leading the People
Eugene Delacroix
1830
Oil on canvas
visual commemoration of July revolution of 1830, King Louis kept painting hidden, pyramidal composition, position of church and houses incorrect, liberty is a winged victory figure ALLEGORY, symbols of class were the red cap, the flag, and bayonet.
Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On)
Joseph Mallord William Turner
1840
Oil on canvas
turner sympathetic to abolitionism movement, romanticism style, common for slavers to throw dead or dying slaves overboard, based on real events, supposed to evoke sympathy or outrage, loose brushwork with emotional colors to inspire impressionism, same time as anti slavery league, a few years later slavery is abolished in europe
The Oxbow (View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm)
Thomas Cole
1836
Oil on canvas
Cole was father of hudson river school originally from England, his sketches and paintings from hudson river of new style, wild v settled land, painted for an exhibit, high horizon line to show plenty of ground with sweeping views, cole is middle ground of piece
The Valley of Mexico from the Hillside of Santa Isabel
Jose Maria Velasco
1882
Oil on canvas
glorification of Mexican landscape, velasco was inspired by romaanticism, strong observer of landscape, modeled after European academies, twin mountains aztec myth, lake texococ and small hill where Virgin of Guadulupe appeared, small group of people travelling symbolizes relationship between humans and land
The Horse in Motion
Eadweard Muybridge
1878
photograph
photography fast enough to capture motion, used a trip wire and each image was separate, used in scientific journals to study horse movement, grandfather of motion pictures, invention is zoopraxiscope and early motion picture projector
The Stone Breakers
Gustave Courbet
1849
Oil on canvas
Destroyed in WWII
realism , peasants depictedin reverence with daily lives that is portrayed as honest and sincere, one with the earth, submitted to salon, workers breaking rocks for paving has trapped composition, poverty is emphasized, large painting size was usually reserved for grand historical paintings, painting was a threat,
Olympia
Edouard Manet
1863
Oil on canvas
manets technique is not layering the coloring but mixing it correct the first time and pathces of colors to show depth, scandal at salon of 1865, inspired by venus of urbino, woman is cold and uninviting, olympia name for prostitutes, maid delivering flowers, simplified modeling
The Saint-Lazare Station
Claude Monet
1877
Oil on canvas
a view of one of the remodeled train stations in paris, exhibited at impressionist, one of 12, effects of steam light and color but not actual scene, gradiations of light, color overwhelms form, haussmann - redesign of paris allowed for mass transit, new plan of paris brought in trains that could easily remodel transportation,
The Coiffure
Mary Cassatt
1890-1891
Drypoint and aquatint
cassatt american painter who moved to Paris, impressionist group, access to world males did not, woman getting ready and fixing hair, no posing and very natural, Japanese influence on hair style and point of view and decor, pastel color scheme, curves vs edges of room, series of 10
The Starry Night
Vincent Van Gogh
1889
Oil on canvas
several careers before becoming a painter -- van Gogh was self taught and had a short but productive career of 1000 pieces, died without recognition, signature style of thick short paint strokes, can see some parts of canvas, painted at hospital with wave like impulses and cypress tree like flames , experimenting with painting night skies and little of his work focuses on this unique nighttime
Where Do We Come From? What Are We? Where Are We Going?
Paul Gauguin
1897-1898
Oil on canvas
stockbroker disillusioned with life, left family and moved to tahiti, spurred by duaghers death, story of life, definite rejection of greco roman influence, inspired by egyptian figures, gold corners inspired from byzantine work
Mont Saint-Victoire
Paul Cezanne
1902-1904
Oil on canvas
one of 11 paintings of elevated view of mountain, mature style, very interested in geometric constructions made from patches of colors, emphasis on solid forms and not hazy, interested in perceptual and not perspective rules, south of France, work inspires cubism
The Scream
Edvard Munch
1893
Tempera and pastel on cardboard
part of semi autobiographical cycle of the frieze of life, exists in four forms, iconic human figure in western art, represents symbolist movement, target of theft, inspired by post impressionism, walking along a wharf and cries out in scream with skull like head, Peruvian mummy exhibit, long thick brushtorkes, swirling patterns, color is symbolizing anguish, foreground and background blend into one another, separated form landscape by bridge,
The Kiss
Gustav Klimt
1907-1908
Oil on canvas
lovers embraced in kiss, use of gold leaf inspired by medieval covers, byzantine mosaics, combines elements of symbolism and nouveau, sought after portrait painter, emotional and decorative, disconnected from real world because of intense love contrast between skin and pattern/color of clothes,
The Burghers of Calais
Auguste Rodin
1884-1895
Bronze
rodin won commission from town of calais, narrative from hundred years war, six citizens volunteered to be prisoners to save town, miserable and dejected, wear sack clothes out of city and nooses around necks, sculpted each individually and then arranged together, in circle so no man is the center, details are simple
Palace of Westminster (Houses of Parliament)
London, England
Sir Charles Barry and Augustus W.N. Pugin (architects)
1840-1870
Limestone masonry and glass
huge fire in 1834, debate over what arhcitecutal style to be used, perpendicular gothic style, 1000 rooms, recruited gothic, new structure towered over london, big ben reminiscent of clock tower
Still Life in Studio
Louis-Jacques Daguerre
1837
Daguerreotype
copper plate coated with silver iodine, stable clear images, inspired by dutch still lives, perfect subject for long exposure times, variety of textures, side lighting
Nadar Raising Photography to the Height of Art
Honore Daumier
1862
lithograph
nadar known for aerial photos of paris, was known to be quirky, print first shown in le bolevard, lithography, making fun of claim that photography is high art, inclusive type of photography