Character profile of Mr Birling in "An Inspector Calls":
Mr Birling is firmly entrenched within the 1912 English social elite
His dominant position in a static society is portrayed through his patriarchal role as owner of Birling and Co., his marriage to Mrs Birling, and his indifference to his daughter's concerns regarding Gerald's alleged affair
Mr Birling is dismissive of the Inspector's message regarding Eva Smith's suicide, partly blaming it on him, showcasing his resistance to change and reluctance to accept responsibility
Gerald's theory of the Inspector not being real is eagerly and triumphantly accepted by Mr Birling, leading to instant catharsis when the prospect of a criminal record is no longer apparent
For Mr Birling to accept social responsibility, he would have to sacrifice the profiteering methods of exploiting laborers and paying subsistence wages
Priestley contrasts the characters of Eric and Sheila against Mr and Mrs Birling, highlighting the younger generation's acknowledgment of their moral failings compared to the older generation's focus on social status
The cyclical structure of Mr Birling's outlook creates a static character who cannot change, reflecting Priestley's critique of societal flaws and capitalism
Mr Birling's relationship with his son, Eric, symbolizes the divide between the older and younger generations, with Eric opposing capitalism and aligning more with socialism
The appearance of the Inspector as an "impression of massiveness" presents socialism as a powerful idea, contrasting with Mr Birling's obsession with his public image
Mr Birling's insecurity in his social status leads him to use a façade of authority to mask his own insecurity, which results in oppression towards the lower classes in the workplace
The tension between Mr Birling and Gerald Croft arises from Gerald's higher social status, causing Mr Birling to increase his ostentatious tendencies to impress Gerald
Mr Birling's uncertain relationship with Gerald is evident in his hesitant tone and attempts to present himself as a social equal by bringing the same port as Gerald's father
Mr Birling's self-promotion reveals his motive behind marriage, aiming to unite the Croft and Birling families to increase his ranking on the social hierarchy
Priestley portrays Mr Birling as a static character, symbolic of the selfish, capitalist higher middle-class, who shows no remorse or accepts any responsibility
Mr Birling's uncaring attitude and resistance to change symbolize the older generation's opposition to positive societal change, targeting the younger generation to rebuild society with a more socialist mindset
Priestley uses dramatic irony to portray Mr Birling as foolish and unlikable, contrasting him with the Inspector's socialist ideologies, which are perceived as a force for good by the audience
Mr. Birling's insecurities regarding social status are revealed by his hesitation to command Gerald, who is of a higher class, like he would command Eric
Sheila's marriage motive is profit rather than love, as indicated by the quote "We may look forward to the time when Crofts and Birlings are no longer competing but are working together – for lower costs and higher prices"
Mr. Birling's use of the noun "crank" to condemn socialism backfires due to Priestley's use of dramatic irony, causing the audience to oppose Mr. Birling's views and sympathize with socialists
Mr. Birling's arrogance and disregard for social responsibility are emphasized by his use of the adverb "obviously" to dismiss his role in Eva Smith's suicide
Mr. Birling's reaction to his involvement in Eva Smith's suicide, wanting to cover it up quickly, shows his focus on his social status rather than the consequences of his actions