Eva Smith is a universal symbol of oppression, representing the suffering of the lower classes and the victim of a patriarchal society and class inequality in early 20th Century Britain
Eva symbolizes the need for a welfare state and demonstrates the consequences of careless individualism and capitalist attitudes
Priestley uses the name "Eva" as a reference to Eve from the Biblical story of the Garden of Eden, symbolizing all humanity, especially women and those living in poverty
Eva's surname "Smith" symbolizes the common people of Britain, with the Inspector's message that "there are millions and millions of Eva Smiths and John Smiths" representing the forgotten or ignored individuals in society
Eva changed her name to Daisy Renton, reflecting her need to change her life direction to survive in a hostile society, leading to her descent into prostitution against her moral principles
Eva's death by suicide serves as a necessary indicator of the consequences of the characters' immoral actions, highlighting the impact of individualism and capitalist attitudes
Eva's suicide with disinfectant is a deliberate act, symbolizing cleansing and purification due to the sexual abuse and exploitation she endured, with Priestley using shocking imagery to associate her death with hell
Priestley uses graphic language to describe Eva's death to awaken the privileged upper class audience to the suffering of the working classes and to inflict guilt upon the characters for their actions
Eva's identity is never revealed to symbolize the oppressed working class people, encouraging the audience to reflect on their own actions and the impact of class inequality and capitalism
Priestley allows each member of the Birling family to describe their involvement with Eva, symbolizing the control the upper classes have over the working class
Priestley's play explores the parallels between Sheila and Eva to show that a woman's life progression depends on the family she is born into
Sheila's upper-class life contrasts with Eva's lower-class suffering, emphasizing the impact of social class on their experiences
Eva and Sheila are similar in physical descriptions, but their lives diverge due to their class differences
The audience is led to believe that class determines Sheila's easy life and Eva's constant suffering, highlighting the divisive nature of social class
Eva's treatment by male characters reflects the patriarchal society of the time, where she is seen as a tool for fulfilling their desires
Eva, a working-class woman, is exploited and abused by various male characters in the play
Gerald's possessive treatment of Eva as his mistress is explored, showing how he views her as an object of desire
Gerald's relationship with Eva is portrayed as superficial, driven by his lustful desires and objectification of her
Eva's relationship with Gerald is seen as a form of exploitation, where Gerald's actions are self-serving
Despite some temporary benefits Eva receives from Gerald, their relationship is ultimately exploitative and based on Gerald's convenience
Gerald's emotional reaction to Eva's death reveals guilt and remorse, indicating a deeper connection than mere exploitation
Eva is depicted as a victim of capitalist attitudes held by the upper classes, suffering due to her working-class status
Eva's firing for asking for a living wage exemplifies the exploitation and lack of protection for workers in a capitalist society
Mr. Birling's selfishness and disregard for Eva's well-being are highlighted through his actions and responses to her situation
Priestley uses Eva's character to critique the capitalist system and the exploitation of the working class
Eva is a victim of society's prejudice and individualism, portrayed as a victim of patriarchal society's classist prejudice and lack of social responsibility
Priestley uses Eva as a vehicle for exposing the harmful individualism of capitalism
Eva is essentially killed by capitalism within the play, demonstrating the fatal consequences of living by such an ideology in Britain
Eva is objectified in the play, with her value based on physical appearance rather than personality
Gerald dehumanises Eva, referring to her as "the girl", erasing her individual identity, showing he doesn't recognize her as an individual
Transactional language is used by Gerald when describing his relationship with Eva, reflecting the capitalist corruption of human relationships
In a patriarchal society, women have little value or rights, being seen as transactional pieces owned by their father, then by their husband
Eva is portrayed as a victim of gender prejudice and patriarchal values, highlighting her as the most oppressed demographic in society
Eva's relationship with Eric was not consensual, as he confesses she didn't want him to go in, showing her powerlessness to prevent him
Eva is used by Priestley as a symbol to highlight the overt hypocrisy of the upper classes in their treatment of the lower classes
Priestley uses Eva to expose the impact of individualism, forcing the characters to realize their actions have consequences and criticizing individualism
Eva serves as the Inspector's evidence, demonstrating the need for taking responsibility and exposing the dangers of the class system
Priestley uses Eva to exhibit the failure of a capitalist society in providing for the working class majority, rather than just the elite few
Eva is used to dismiss contemporary beliefs concerning the causes of poverty, countering the negative stereotype of the lower classes as merely the result of poor morals and laziness
Priestley aims to counter the negative stereotype of the lower classes, challenging the belief that poverty was solely due to poor morals and laziness