Despite being only 13, Capulet arranges Juliet's marriage to Paris in the first scene she is mentioned, presenting her as an object of desire whose function is to be married
Juliet displays complexity and maturity contrasting with her young age, attempting to reject societalpressures by insisting on marrying for love and taking action against her circumstances
Juliet's close relationship with her Nurse contrasts with her distant relationship with her mother, reflecting the traditional role of the Nurse as a maternal figure
Shakespeare subverts the sonnet form by having Juliet, a female character, communicate with Romeo in this form, giving her agency and a voice typically reserved for male characters
Juliet's ability to communicate with Romeo on an equal footing through the sonnet form shows her as a subject rather than an object, subverting patriarchal dominance over the form
Juliet's portrayal in "Romeo and Juliet" can be considered feminist as she transcends cultural and societal boundaries of her time, attempting to break down the patriarchy and reclaim her own fate
Juliet's presence in the play highlights the ambivalent exploration of religion, as she both upholds and subverts religious ideals, ultimately committing a sacrilegious act by committing suicide
Juliet's character in "Romeo and Juliet" challenges gender roles by being portrayed as equal to Romeo, displaying intelligence and rejecting societal expectations to pursue her love with him
Juliet serves as the antidote to the violence in "Romeo and Juliet," functioning as the cure to violence by ending the feud through her own violent action, thus technically ending all the violence in the play
Juliet's journey in the play is full of opposing forces like Hate and Love, Life and Death, presenting her as a liminal character caught between two states
Lord Capulet's relationship with Juliet changes drastically from being overprotective to demanding her marriage to Paris, showing a complex father-daughter dynamic
Lady Capulet's dialogue with Juliet indicates her emotional maturity and headstrong nature, rejecting societal ideals and foreshadowing her future rebellion
Juliet's half-rhymes "possess'd" and "enjoy'd" in internal lines indicate her experience has been incomplete, and by describing herself as "sold", she objectifies herself
Juliet's rhetorical question "Can heaven be so envious?" conveys the dichotomy between fate and the individual, showing how physical matters have no effect on love, only spiritual, alluded to by "heaven"
Juliet's use of apocalyptic images to describe the deaths of Tybalt and Romeo signals the end of her romantic and familial worlds, highlighting the dichotomy between familial and romantic love
Juliet's sequential use of oxymorons like "Beautiful tyrant" and "fiend angelical" conveys the conflict within her, echoing Romeo's Petrarchan suffering
Juliet's address to "Fortune" in anthropomorphic terms makes fate's presence more real, and the use of fricatives in "Fortune" with "fickle" draws attention to these words