Gender is an important theme in "Romeo and Juliet" as it contributes to character development and can be a source of conflict
The play is set in a patriarchal society oppressive to women, where men also had social rules to follow
Masculinity is a key theme in the play, dictating male behavior towards each other and female characters
The feud between the Montagues and Capulets is based on male pride, with neither side willing to back down to create peace
Male conflict and violence pervade the play, as shown in Act 1 Scene 1, where a fight starts due to men's unwillingness to lose face
Sampson in the play represents hegemonic masculinity, where male dominance is established through the submission of women and aggression
Sampson's crude language and actions towards women reflect the violent and aggressive nature of masculinity in Elizabethan times
Romeo's character is presented as effeminate, lacking a natural disposition free of emotional attachments
Shakespeare juxtaposes hypermasculinity in the play with Romeo's more emotional and wounded character, subverting traditional masculinity
Romeo takes an early morning walk "underneath the grove of sycamore" in the opening scene
Romeo is acting like a Petrarchan lover, suffering from unrequited love, which is not reciprocated, and often melodramatic about rejection
Romeo struggles with his masculinity throughout the play, influenced by external factors and his relationships with women
Shakespeare shows how affected Romeo is by his love for women, with societal attitudes towards masculinity being encapsulated by the Friar's statement to Romeo
Romeo transforms from a Petrarchan lover to someone who allows "rage to guide (his) actions" after his friend Mercutio is killed by Tybalt
Romeo becomes consumed with a murderous rage which leads to him fighting Tybalt and causing Tybalt's death
Before Mercutio’s death, he puts a curse on the families, possibly responsible for Romeo’s transformation
Romeo blames his femininity on Juliet, feeling she has softened his bravery, leading him to seek revenge for Mercutio's death
While male characters struggle with masculinity, women are also restricted by their societal roles, as seen in the expectations surrounding marriage during the Elizabethan period
During the Elizabethan period, marriage was often used by important families to make alliances and spread their power and influence
Lord Capulet initially allows Juliet a choice in marriage, but after Tybalt's death, he changes his mind and asserts his authority over her choice
Lord Capulet's authoritarian demeanor is revealed when Juliet refuses to marry Paris, leading to an explosive response from him
A woman's role in the play was often to become a wife and mother, as seen through Lady Capulet's character in Act 1
In Shakespeare's "Romeo and Juliet," attachment is a strong reciprocal emotional bond between an infant and a primary caregiver
Schaffer and Emerson's 1964 study aimed to identify stages of attachment and find a pattern in the development of an attachment between infants and parents
Participants in the study were 60 babies from Glasgow, and the procedure involved analyzing interactions between infants and carers
Findings showed that babies of parents with 'sensitive responsiveness' were more likely to have formed an attachment
In "Romeo and Juliet," women are not only seen as wives and mothers but also as sexual objects perceived by men
Mercutio in Act 2 Scene 1 sexualizes Rosaline's body by listing her body parts, viewing her purely as an object for sexual gratification
The Friar notes that young men's love lies not truly in their hearts, but in their eyes
Juliet's nurse in "Romeo and Juliet" makes many sexual jokes and mocks women's sexual subservience
The nurse retells a joke about a baby falling backward when older, making fun of a woman's sexual subordination
Juliet's nurse also comments that Juliet will "rest but little" when Romeo visits, filled with dramatic irony as the audience knows Juliet will soon be dead
Despite being constrained by patriarchal society, Juliet in "Romeo and Juliet" is given power within the play, showing agency and standing up to male figures
Juliet actively pursues her relationship with Romeo, breaking conventions by proposing to him and demanding that he shows his devotion to her
Juliet in "Romeo and Juliet" reclaims her agency by embracing her sexuality, which was not common for women of the time who were expected to be conservative
Juliet's death in "Romeo and Juliet" raises questions about the message Shakespeare is sending to the audience regarding women's agency and choices
Juliet's death can be seen as her affirming her freedom by choosing to die, taking back her autonomy by committing suicide instead of being constrained by her marriage to Paris
Shakespeare's portrayal of Juliet's death in "Romeo and Juliet" can be interpreted in different ways, questioning whether her suicide truly represents liberation or submission to male possession