Dulce et Decorum Est by Wilfred Owen depicts the horrors of war, describing soldiers as "bent double, like old beggars under sacks" and facing gas attacks
In Dulce et Decorum Est, Owen portrays the soldiers as exhausted and traumatized, highlighting the brutal reality of warfare
Mametz Wood by Owen Sheers vividly describes the aftermath of a battle, with imagery like "wasted young" and "a broken mosaic of bone linked arm in arm"
In Mametz Wood, Sheers captures the haunting scene of soldiers who have fallen in battle, emphasizing the impact of war on the young
Valentine by Carol Ann Duffy presents a unique perspective on love, offering an onion as a symbol of love that can be both "lethal" and "cling to your knife"
Sonnet 43 by Elizabeth Barrett Browning expresses deep love, stating "How do I love thee? I love thee to the depth and breath and height my soul can reach"
Hawk Roosting by Ted Hughes portrays the world from a hawk's perspective, emphasizing power and control with lines like "I hold creation in my foot because it is all mine"
Death of a Naturalist by Seamus Heaney explores the loss of innocence through the eyes of a child witnessing the grim reality of nature, with vivid descriptions like "jampots of the jellied specks"
London by William Blake paints a bleak picture of urban life in the 18th century, with references to suffering and oppression like "mind-forg'd manacles" and "youthful harlot's curse"
Ozymandias by Percy Bysshe Shelley reflects on the transience of power and legacy, describing a ruined statue in the desert as a symbol of fallen empires
Comparisons between the poems offer insights into different themes and perspectives on love, war, power, and nature