M3: Elements and Principles of Contemporary Arts

Cards (105)

  • Oil paint
    • Popular medium due to retained vibrancy and distinct quality, dries slowly and opaque in nature, consists of pigment mixed with oil (commonly linseed oil)
  • Graphite pencil
    • Most used illustration medium, cheap, versatile, mistakes can be easily erased, produces a wide spectrum of shades depending on the weight applied
  • Charcoal or burnt wood
    • Produces darker tones with soft or harsh strokes
  • Pen or pen and ink
    • Popular medium in drawing, smooth and consistent in shade and intensity, affordable and permanent
  • Elements of painting - Line
    • Length without width or an extension of a point, can be static (suggest stillness) or dynamic (suggest force and motion)
  • Greek artist, 5th century B.C.E.
  • Encaustic paint
    • Mixture of pigments, wax (beeswax), and resin
  • Best known Encaustic works are the Fayum Mummy portraits which were done at around 100-300 A.D.
  • Fresco, pigments are mixed with water and applied to thin layers of either dry plaster (fresco secco) or wet plaster (buon fresco)
  • Acrylic paint
    • Pigment suspended in a synthetic vehicle made from acrylic polymer emulsion, versatile and can imitate effects of water color and oil paint
  • Water color
    • Dissolves easily in aqueous liquid, produces transparent layers, consists of pigment combined with water and gum Arabic, commonly used on paper
  • Elements of painting - Shape
    • Refers to the physical form or figure
  • Elements of painting - Size
    • Refers to the magnitude or bulk of an object
  • Elements of painting - Color
    • Used to create a mood or emotional quality, different colors have connotations like white for purity, innocence, emptiness, and calm
  • Michelangelo's Sistine Chapel ceiling painting and Raphael’s School of Athens were done using fresco
  • Tempera
    • Fast drying painting medium consisting of pigment mixed with a water-soluble binding agent, produces vivid color, widely used in Medieval and Renaissance period
  • Drawing
    Drawing can be done by running a finger on beach sand or by clicking a computer mouse, but the type of drawing we are most familiar with is done by stroking a pencil on a piece of paper
  • Complementary colors placed next to one another appear brighter, mixed together they will form neutral colors
  • Primary colors

    • Red, blue, yellow
  • Painting
    Refers to the application of color, pigment, or paint to a surface or support
  • Colors can be used to create color harmonies, contrast, unity, and variety in images
  • Primary colors

    • Red, blue, yellow
  • Shape
    Refers to the physical form or figure, which could imply weight or volume
  • Elements of Painting
    • Size
    • Shape
    • Texture
    • Color
  • Texture
    Refers to the coarseness or the smoothness of a material
  • Split-complimentary color scheme
    • Includes a main color and two colors adjacent to its complementary color
  • Vertical line
    Signifies ambition and strength
  • Dynamic
    Suggests force and motion
  • Solid Diagonal Lines
    Signifies dynamic, action, conflict, or stress
  • Monochromatic color
    Result of using different degrees of lightness and brightness of only one color
  • Intermediate colors

    • Yellow-green, Yellow-orange, Red-orange, Red-violet, Blue-violet, Blue-green
    1. Dimensional Geometric shape
    Has height, width, and depth, the 3rd dimension showing the thickness of the object
  • Monochromatic color scheme
    • Uses only one hue and its tints and shades
  • Color properties
    Hue, Value, Saturation
  • Shape
    Created when a line becomes connected and encloses space, the outline or outward appearance of something
  • Secondary colors
    • Orange, Green, Violet
  • Dynamic lines
    • Curved lines, which are vigorous strokes
  • Lines
    Refers to a prolongation of a point or mark on a surface
  • Secondary colors
    • Green, violet, orange
  • Analogous color scheme
    • Made up of three or four adjacent colors on the color wheel