Michelle is a prime example of this theme: even when surrounded by people she is living in a state of dreaminess and is trapped in her solitude.
Blondie has an exaggerated thirst for intimacy and belonging
Lonliness and Solitude
The desperation and struggle to form connections are represented through the Killer leaving clues in his trash to help his agent (Michelle) to understand him better.
Lonliness and Solitude
Wong makes his characters physically and emotionally adrift, conveying a sense of longing and meloncholy without exchanging much dialogue.
It is from their actions that the audience feels how distant and self-contained their lives are.
Lonliness and Solitude
Wong focuses on deeply personal relationshios while maintaining a balance between beauty and chaos.
Lonely souls moving in a crowded world trying to make meaningful connections.
Unrequited Love
Wong mourns unattained love by romanticizing it - Michelle.
Repressed desire of lost love and an inability to leave their past - Blondie and Charlie(?)
Escapism
Delusion characters thinking they can escape from their realities - Killer dies on his final mission
He convinces himself that he is just a lazy messenger and that the time and place of death are decided by someone else.
Uncertainty and conflict
The hunger of wanting what they can't attain - Michelle + Blondie
Wong teases his characer by tempting them to be together but not without presenting a layer of uncertainty and ambiguity. - blondie + killer
Uncertainty and conflict
Conflict with oneself - Wong constructs an enviroment where his leads are tempted and given opportunities to confess and be true, but their lack of courage holds them back.
Invasion of personal space
Wong uses this tool outrageously, to further add to the desperation and thirst for some connection his characters face.
Invasion of personal space - what two methods does Wong use?
Allowing the audience to hear the characters most personal thoughts in the form of monologues
Allowing his characters to spy on other characters lives - his characters are often lurking in the shadows and spying on each other.
Invasion of Privacy in Fallen Angles?
The agent (Michelle) goes through the killers trash in hopes to find more about his whereabouts and life.
Invasion of privacy
The violation is an act of intimation that his characters celebrate, an extension of their closeness without having any involvement of physical touch.
Invasion of Privacy
The free violation of privacy and perverse acts without showing remose have become a trademark in WKW filmography .
Clocks - WKW obsession with using clocks to communicate his messages about lost time, the fragmention and unreliability of 'the clock'