Cards (14)

  • Lonliness and Solitude
    Michelle is a prime example of this theme: even when surrounded by people she is living in a state of dreaminess and is trapped in her solitude.
    Blondie has an exaggerated thirst for intimacy and belonging
  • Lonliness and Solitude
    The desperation and struggle to form connections are represented through the Killer leaving clues in his trash to help his agent (Michelle) to understand him better.
  • Lonliness and Solitude
    Wong makes his characters physically and emotionally adrift, conveying a sense of longing and meloncholy without exchanging much dialogue.
    It is from their actions that the audience feels how distant and self-contained their lives are.
  • Lonliness and Solitude
    Wong focuses on deeply personal relationshios while maintaining a balance between beauty and chaos.
    Lonely souls moving in a crowded world trying to make meaningful connections.
  • Unrequited Love
    Wong mourns unattained love by romanticizing it - Michelle.
    Repressed desire of lost love and an inability to leave their past - Blondie and Charlie(?)
  • Escapism
    Delusion characters thinking they can escape from their realities - Killer dies on his final mission
    He convinces himself that he is just a lazy messenger and that the time and place of death are decided by someone else.
  • Uncertainty and conflict
    The hunger of wanting what they can't attain - Michelle + Blondie
    Wong teases his characer by tempting them to be together but not without presenting a layer of uncertainty and ambiguity. - blondie + killer
  • Uncertainty and conflict
    Conflict with oneself - Wong constructs an enviroment where his leads are tempted and given opportunities to confess and be true, but their lack of courage holds them back.
  • Invasion of personal space
    Wong uses this tool outrageously, to further add to the desperation and thirst for some connection his characters face.
  • Invasion of personal space - what two methods does Wong use?
    Allowing the audience to hear the characters most personal thoughts in the form of monologues
    Allowing his characters to spy on other characters lives - his characters are often lurking in the shadows and spying on each other.
  • Invasion of Privacy in Fallen Angles?
    The agent (Michelle) goes through the killers trash in hopes to find more about his whereabouts and life.
  • Invasion of privacy
    The violation is an act of intimation that his characters celebrate, an extension of their closeness without having any involvement of physical touch.
  • Invasion of Privacy
    The free violation of privacy and perverse acts without showing remose have become a trademark in WKW filmography .
  • Clocks - WKW obsession with using clocks to communicate his messages about lost time, the fragmention and unreliability of 'the clock'