The street is almostlike a museum, or a streetin a model townconstructed to show theway people used to live.Asin those pictures [...], there are no children.'
TheRepublic of Gilead, saidAunt Lydia, knowsno bounds.Gilead is within you.
someinstriped dresses, red and blue and greenand cheap and skimpy, that mark the women of the poorer men.Econowives, they'recalled.
Sometimes there is a woman in all black, a widow.There used to bemore of them, butthey seem to be diminishing
Womenwere notprotectedthen.
I remember the rules, rules that were never spelled out but every woman knew:
There'smore than one kind of freedom, said Aunt Lydia.Freedom toand freedom from.Inthedays of anarchy, it wasfreedom to.Now you aregiven freedom from.Don'tunderrateit.
Some people call thehabits, agoodwordfor them.Habitsare hard tobreak
whenthey decided thateven the names of placeswere too much temptation forus.
They seemed to be able to choose.Weseemed to be able to choose, then.We were a society dying, said Aunt Lydia, of too much choice.
It will be something, a small achievement, to have made oranges happen.
Just to catch sightof a face is an encouragement.If I could see Moira,just to see her, know shestill exists.
She is a magic presence to us, an object of envy and desire, we covet her.She's a flagon a hilltopshowing us what can be done: we too can be saved.
Now she is acarrier of life, she scloser to death
we hush likeschoolgirls.
The pregnantwoman's bellyis like ahuge fruit
Allflesh
She never would, I'd say. She's too old.
'He'd say ...
Not here not now, not where people are looking.'
'their very cheerful aggressive, and I can't help staring. It'sbeenalong timesince I'veseen skirts that short on women'
'They wear lipstick, red,'
'We are fascinatedbut also repelled.They seem undressed.It's taken so littleto change our minds, about things likethis
Then I think: I used to dress like that. That was freedom.'
'Never forgetit.to be seen - to be seen - is to be - her voice trembled - penetrated.What you must be, girls, isimpenetrable. She called us girls.
'that the women here have different customs, that to stare at themthrough the lens of a camera, is, for them, an experience of violation.'
are you happy?"' ... '"Yes, we are very happy," I murmur. I have to say something.What else can i say?'
I can imagine it, their curiosity: Are they happy? How can they be happy?