Element perceived by the way light reflects off a surface. There are three properties of : hue (color name), intensity (strength/purity), and value (lightness and darkness). (Van Gogh, Post-Impressionism)
Element that describes the surface quality of an object. Artists use both actual ___ (how things feel) and implied ______ (how things look like they feel). (Huang, Contemporary)
Element used to create the illusion of depth within an artwork. It can also refer to the positive and negative ____ between, around, or within objects. (Raphael, Renaissance)
Element that is three-dimensional (length, width, height) and can be viewed from many angles. _____ have volume and take up space.(Artist Unknown, Greece)
Principle that is the creation of a focal point in an artwork. It draws the viewer's eye to particular areas of the artwork first. (Altar Mosaic, Byzantine)
Principle that refers to size, location or amount of one element in relation to another (or to the whole) in an artwork. (Church Wall Painting, Medieval)
Principle that is how the eye travels through an artwork. Can lead the viewer from one aspect to another within the composition. (Late Renaissance Painting)
Principle that refers to the difference between elements in a composition. This can happen through a variety of elements such as value change, size difference, etc. (Hopper, American Realism)
Principle that occurs when all of the elements of a piece combine to make a balanced, harmonious and complete whole. Variety within elements adds interest to the composition. (El Greco, Northern Renaissance)
Principle that is the distribution of visual weight in an artwork. The three types are symmetrical (two sides are the same), asymmetrical (two sides are different but visually weighted equally) and radial (design emerges from center point).(Rose Window, Gothic)
Principle that shows a "visual beat" created with repetition of elements, patterns or movement to create interest and consistency. (Mondrian, De Stijl)