Low-budget - affected the films’ aesthetic as the team could not afford to use CGI – they used a studio and constructed miniature models for the scenes set outside the spacecraft
"We decided that we weren't going to do any on location shoots, we wanted to have completely controlled shooting environments, so we did everything on soundstages" -Jones
They had two soundstages - one was for the interior of the moon base and one for the exterior which they built
There was a ‘lack of romance in the moon as a location’ --> desolate and empty
The cinematographer only had a very small lighting kit that he carried around with him
For the exterior, they built a chunk of lunar terrain and pulled around model minatures - "we had the benefit of Cinesite who beautified and fixed all the obvious problems" -Jones
"We tried to capture as much as possible in camera in order to save ourselves the money and give the film a different, hybrid look that felt more real" -Jones
Jones worked with Bill Pearson for the models – the supervising model maker on Alien
Well received critically - “a film about what it means, and takes, to be human” -The Times
Political/ historical...
The film’s retro approach to space exploration by mining on the moon – based on a historical appreciation of dystopic, pessimistic sci-fi
There are clear similarities in terms of setting and iconography to 2001: A Space Odyssey
The film follows in the anti-corporate science fiction tradition
The euphoria of the space race is over but the race to put tourists in space is still evident as we see in recent successful space rocket launches by billionaires
Auto- biographical...
Jones is naturally drawn to the sci-fi genre as the son of David Bowie who wrote many space themed songs --> “Everything I am is a reflection of the experiences I went through growing up”
This could be the cause of Moon’s nostalgic feel for old sci-fi films