The final stanza may describe the narrator’s new city, contrasting her idealised memory. Rumens uses enjambment in “Through the city // Of walls”, separating “of walls” to isolate the word and create connotations of entrapment or division, reflecting how borders restrict identity and freedom.The use of caesura and free verse disrupts rhythm, evoking chaos, but this disordered form can also symbolise liberation, showing the speaker’s resistance to confinement and the fluidity of memory and identity.