A type of Protestantism that had separated from the Church of England due to disagreement with state interference
Songs of Innocence and Songs of Experience
Blake's two major books of poetry, the former being positive and the latter being more critical and negative
Blake initially supported the French Revolution but later criticized it as it descended into chaos and violence
Blake wrote "London" during the Industrial Revolution
Industrial Revolution in London
Factories opened up across the city
Lower-class workers took up jobs in the factories, which were difficult, dangerous, and poorly paid
Increased pollution and class divisions
The title "London" establishes the topic of the poem
Chartered
Can mean either the amount of trade occurring or the increasing political and economic control in London
Blake, as a romantic poet, was critical of the increasing control and ownership of land and the Thames
He uses the word "chartered" to mock this control
Blake notices weakness and woe in the faces of everyone he meets in London
The repetition of "every" emphasizes the universality of the misery in London
Mind-forged manacles
Represents the control and crushing of the Londoners' hope and spirits
Oral imagery is abundant in the second stanza, suggesting the difficulty of escaping the evidence of London's control
When analysing a poem like William Blake's "London", a range of assumptions are made about the rationality of economic agents involved in the transactions
The poem "London" was written by William Blake
Rational
(in classical economic theory) economic agents are able to consider the outcome of their choices and recognise the net benefits of each one
Rational agents will select the choice which presents the highest benefits
Rationality in classical economic theory is a flawed assumption as people usually don't act rationally
Marginal utility
The additional utility (satisfaction) gained from the consumption of an additional product
If you add up marginal utility for each unit you get total utility
Youthful harlot
Juxtaposition of purity/innocence and sordidness/depravity
London's corruption
Represented by the "curse of the evil harlots" infecting babies
London's corruption
Inevitable and inescapable, will remain with people for their entire lives
Blight and plague
Metaphors for illness and disease, suggesting London will corrupt many people and is incurable
Marriage hearse
Oxymoronic image, marriage associated with new life but also death
Poem structure
Four 4-line stanzas, alternate rhyme scheme, iambic tetrameter
Rhythmic weakness in some lines suggests state's over-control results in weakness
Dramatic monologue form, persona is powerless observer
The poem is a critique of the power of the ruling classes and the powerlessness of the people in London during the Industrial Revolution
The poem is not heavily concerned with nature, love, or war, but rather focuses on the theme of corruption and the effect of place on people
The poem can be seen as a critique of organized religion and the metaphorical death of the individual