Infallible leader, a sure guide, successor to Marx and Lenin, a father figure, a true Bolshevik
Falsified history
Rivals reimagined as enemies of the people and excised from books/photos
Patronage
Cities and factories named after those in Stalin's inner circle; creates a sense of exclusivity that'd convince people to follow the same steps necessary
Tsarist symbolism
The Tsar cared for all his people as he was like a father to him; the nostalgia that would resonate with the Soviet people
Literature & Artists
1. 1932 - writers had to belong to Union of Soviet writers
2. 1932 - art critics and artists to join Union of Artists
3. Adhere to 'socialist realism' doctrine
Socialist realism doctrine
To show that Socialist life was moving towards an idealised society
Andrei Zhdanov
Figure in April 1934 at the first Congress of the Union of Soviet Writers, who laid the foundation of conforming to party ideology in creative works
New artistic endeavour was constrained by political demands
Music
Return to Russian classical composers [Glinka and Tchaikovsky]
Folk culture was promoted – to represent a Russian 'national culture'
Pure Stalinist invention – to praise Russia's great heritage
Propaganda
A way of education Soviet workers can peasants about the 'truth' of Stalinism and the importance of building socialism – the state controlled all the media. Stalinist campaigns to create enthusiasm, aspiration and national pride – FYPs relied on propaganda to convince people that it is successful and beneficial to their economy and lifestyle
Propaganda messages
Everyone can and should contribute
Class enemies are agents of foreign imperialist powers
Glories of a new socialist society where all workers' dreams were coming true
Propaganda
Paintings, poems, posters, slogans and sculptures glorified Stalin and displayed warnings about dangers of USSR's enemies
Written works dedicated and prefaced with acknowledgements of Stalin's genius
Propaganda in education
Early in nurseries and schools – messages about the glories of communism, textbooks and lessons glorified Soviet achievements
The History of the All-Union Communist Party: Short Course – students site for answers and read; ambitious Party members learned it by heart
Propaganda stories
Pavlik Morozov praised as a martyr for denouncing father as friend of kulaks, considered a child-hero
Work-heroes
Stakhanov to inspire workers to out-perform their targets
'Worker and Kolkhoz Woman' 24.5m statue [ by Vera Mukhina for the 1937 World Trade Fair in Paris]
Peasants resisted process of collectivisation
Collectivised households dropped from 50% to 20%
Stakhanovites challenged managers
Intimidation, jealousy and power imbalance
Jokes, popular songs and graffiti mocked the failures of the FYPs
Undermined FYP and the concept of industrialisation
Individual expression was deemed politically suspicious which risked exclusion and no sales
Expected to glorify the working man and communities working together and embracing new tech – to produce an uplifting and optimistic attitude to the future of USSR
Soviet culture was for the 'ordinary people' and no attempt to create a new proletariat culture
Anyone who doesn't conform would be banned from working and potentially imprisoned and exiled
Full scale socialist offensive – show that everything is fitting perfectly for USSR
Everyone can and should contribute
Message promoting the idea of equality and inclusivity; suggests that everyone has something valuable to offer and should be encouraged to participate and contribute to society
Propaganda messages
Messages intended to promote a specific ideology or point of view; often biased or misleading, and used to influence people's opinions or beliefs
Divisive language
Language used in propaganda messages to create a sense of fear or mistrust towards certain groups or individuals; often used to encourage people to view certain groups as enemies or threats