Conveys a complex of concepts, feelings, attitudes, moods, atmosphere, and value that derives from world views and ideologies, public or personal
Basic documentary information required in reading a work of art
Title of work
Name of Artists
Medium and Technique
Dimensions of measurements
Date of work
Provenance
Semiotic Plane
Includes the elements and general, technical and physical aspects of the work
Iconic Plane
Includes the choice of the subject which may bear socio-political implications
Thematic Plane
Art is viewed in relation to its time, the ideologies and concerns of that period
Art History
The study of objects or art in their historical development and stylistic contexts
Periods of Western Art
Prehistoric Period
Ancient Middle Period
Before 1800 (Christian Church Influence)
After 1800 (Influence by politics)
Aspects of Eastern Art
Chinese Art
Japanese Art
Korean Art
Visual Arts in the Philippines
Painting
Sculpture
Architecture
Literature
Art Movement
The tendency of style in art that has a specific common philosophy or goal, followed by a group of artists during a restricted period of time
Art Movements
Cave Paintings (Parietal Art)
Ancient Egyptian Art
Greek Art
Roman Art
Chinese Painting
Japanese Painting
Renaissance Art
Mannerism Art
Baroque Art
Rococo Art
Neo-Classicism Art
Neo-Impression
Impressionism
Post-Impressionism
Art Noveau
Fauvism
Expressionism
Cubism
Futurism
Fauves
Art movement of the 1900's that flourished as a group only from 1903 to 1907 but their style greatly influenced many later artists
The fauves did not attempt to express ethical, philosophical, or psychological themes
Most of the fauves artists tried to paint pictures of comfort, joy and pleasure
Expressionism
Art movement introduced in Germany during the first decade of the 20th century, influenced European artists from 1910 up to the present, and also influenced playwrights in English and Filipino in the Philippines
Expressionist paintings
Involve pathos, morbidity, violence, chaos, tragedy, and sometimes portray defeat
Cubism
Art movement that takes the abstract form though the use of cone, cylinder, or sphere at the expense of other pictorial elements, with the aim of showing form in basic geometrical shapes
Futurism
Art movement that developed in Italy about the same time as cubism, with painters wanting their works to capture the speed and force of modern industrial society, glorifying the mechanical energy of modern life
Abstractionism
Art movement where the artist becomes so interested in one phase of a scene or situation that they do not show the subject as an objective reality, but only their idea or feelings about it
Dadaism
Protest movement in the arts formed in 1916 by a group of artists and poets in Zurich, Switzerland, reacting to what they believed were outworn traditions in art and the evils they saw in society
Surrealism
Art and literary movement founded in Paris in 1924 by the French poet Andre Breton, using art as a weapon against the evil and restrictions that surrealists see in society, attempting to show what is inside man's mind as well as the appearance of the outside world
Constructivism
Art movement started as early as the 20th century in Russia, applied in the construction of social evils existing in the present society, contrasted with surrealism
De Stijl or Neoplasticism
Art movement that advocated pure abstraction and universality by a reduction to the essentials of form and color, simplifying visual compositions to vertical and horizontal, using only black, white and primary colors
Abstract Expressionism
Style of abstract painting that uses large canvasses and a deliberate lack of refinement in the application of paint, with strong color, heavy impasto, uneven brush strokes, and rough textures
Pop Art
Art movement that presented a challenge to traditions of fine art by including imagery from popular mass culture, such as advertising, comic books and mundane cultural objects, often using irony
Post-Minimalism
Art movement that emerged in the late 1970's, employing a variety of arts such as body art, process art, conceptual arts and performance arts, using unprocessed, uncomposed, and sagged materials instead of industrial and fabricated materials
Conceptual Art
Art where the idea or concept is the most important aspect, with the execution being a perfunctory affair, where the idea becomes a machine that makes the art
Photorealism
Genre of art where an artist studies a photograph and then attempts to reproduce the image as realistically as possible in another medium
Installation Art
Form of conceptual art where objects or materials are configured or arranged in a room or spaces to present a message to the viewer
Body Art
Form of art that uses the body as a canvas or artwork, employing color pigments for cultural motives, including face painting, body painting, and tattoo art
Land Art
Art movement known also as "Earthworks", "Earth Art" or Landscape art, with the purpose of touching the sensibilities of man towards the environment
Performance Art
Art form expressed in many forms such as dance, music, video, drama, painting, and film, where the artist performs or expresses their art before a live audience
The significance of an art movement to an artist and a student is that it provides a framework and context for understanding and appreciating art
Chinese and Japanese painting are similar in their emphasis on nature and the use of ink, but different in their specific styles and techniques
Ancient Greek art and modern Greek art share a focus on the human form, but differ in their artistic styles and the social/cultural contexts in which they were produced
Mannerism Period
Art period characterized by the deliberate distortion of classical forms and proportions, often with an emphasis on artifice and complexity
Cave art
Art created by prehistoric humans on the walls of caves, using natural pigments and materials found in the environment
Appropriation in art is the practice of creating or borrowing new work by taking a pre-existing image from another source and transforming or combining it with new elements
Appropriation in art differs from copying in that it involves transforming the original work into something new, rather than simply reproducing it
Appropriation of art can be legal and ethical when done with the proper attribution and respect for the original work, but it can also be problematic when it involves the exploitation of marginalized cultures