Polari got its words from overlapping low forms of slang that were associated with travelling or stigmatised groups eg. Yiddish, Italian, Cockney
People learnt polari from older gay men as it was passed on
The word classes are mostly adjectives eg. to describe clothes, types of people and sexual acts
Polari was used for gay men to express themselves without getting caught
Polari can be classes as an anti-language to describe how stigmatised subcultures develop languages to help reconstruct reality according to their own values
Polari was also used to objectify and demean mainstream society
Polari declined after the mid 1970s because of the decriminalisation of homosexuality and after people started finding out - homosexuality was decriminalised in 1967
Most research in the 40s and 50s focused on slang and jargon, and how gay men developed new terms to refer to themselves positively and created an isolated and secret subculture to separate from mainstream society
In the 1970s and 80s, gay slang promoted in-group solidarity used as a survival strategy in response to greater society's hostility - a form of social protest
Gender is constructed through a history of interaction and the choices made by individuals. Gender is not a male/female binary, it is fluid - a performance of masculinity and femininity. You perform your gender to construct your identity. Gender is a role, a social behaviour, something that we consider masculine in one culture may be feminine in another.
Suggests that gay men differentiate themselves from straight men by using "the voice." This is characterised by wider pitch range, breathy voice, lengthened fricatives, and affrication of plosives. This isn't necessarily an exhibition of feminine speech styles, but being perceived as feminine.
Barrett (1995) - Investigated African-American drag queens. Found that they combined "white woman speech" with features of Lakoff's women's language, African-American vernacular English and sexual references. They constructed their identities by juxtaposing linguistic styles which are socially dissimilar.
Piccolo (2008) - Challenges the idea that people can identify a speaker's sexuality based on aural tasks. The stereotypical homosexual voice was not exclusively used by homosexuals, and listeners were not significantly accurate on the speaker's sexuality regardless of their own sexuality.
Baker (2005) - Analysed personal adverts used by homosexuals and found "straight acting" and an emphasis on stereotypical masculine activities like sport to distance from negative gay culture.
Zimman (2013) - Studied transgender males taking testosterone. This resulted in a lower vocal pitch, but stylistic traits while living in a female role persisted. While they were still "gay-sounding", their speech was not similar to cisgender gay men. This suggests that gay speech is not a single phonetic style, but deviations from the hegemonic norm.