No Time to Die was released in the UK on 30 September 2021, after a global premiere at the Royal Albert Hall on 28 September 2021
Starring Daniel Craig as 007, this is his fifth and final performance as the fictional MI6 agent
The release was significantly delayed from April 2020, following a change in director and the COVID-19 pandemic
Produced by
British company EON (Everything or Nothing) Productions
Distributed in UK cinemas by
Universal Pictures
No Time to Die is available to stream on Amazon Prime
The film's budget was an estimated $250-301 million, making it the most expensive Bond film to date
So far it has grossed over $774 millionworldwide at the box office
Poster designed by
Empire Designs, a British film promotion agency
First teaser poster for the film released on James Bond Day, as part of a global marketing campaign
5th October 2019
In 2018, of 214 covers published by the 19 bestselling glossies, only 20 featured a person of colour, whereas 13.7% of the UK are BAME.
Typographical logo of the film title
No Time to Die, in Futura Black
Dominant image
Mid-shot of James Bond, smartly dressed, suggesting he is the film's protagonist
Action shots
Bond on a bike and in a car, connoting he is on a quest
Guns
Commonly used as props in the action/thriller genre, connoting violence, action, and danger
Nomi's costume
Military costume with an earpiece, connoting her role as an active agent and trained assassin
Paloma's costume
Glamorous, revealing, navy-blue evening dress, more typical of 'Bond Girls'
GQ Heroes
An event aimed at "luxury business and creative minds", with a programme of speakers "who are shaping society and culture around us".
Safin, Q, and Swann
Looking directly at the audience, giving a more personal approach
Lack of prominent actor names
Producers are confident the audience will recognise Daniel Craig
Visual 'star appeal'
Lashana Lynch recognisable to fans of the Marvel Cinematic Universe
Iconic 007 logo
Eye-catching and bold, with a worn, aged, blue tone hinting at the content of the film
Title No Time to Die
Can be read as Bond being so active he doesn't have time to die, or as a bad time to die, suggesting significant deaths in the narrative
Montage design
References previous Bond films, providing a sense of familiarity, nostalgia and pleasure to fans
No intertextual reference to Ian Fleming (the author of the James Bond books) on this poster, signifying No Time to Die is not based on one of his original books
Exotic locations
Italy and Cuba contrasted by using warm daylight and cold neon lights, echoing other oppositions in the poster
Masked man with a gun
Connotes death and danger, acting as an enigma code for the audience
Motorbike and Aston Martin
Suggest action sequences and excitement within the narrative
James Bond has historically been constructed to embody masculine stereotypes such as strength, skill, and independence
The representation of women in the Bond franchise has historically been stereotypical, with 'Bond Girls' often insignificant to the narrative and disposable
Craig's Bond is not as sexist and overtly stereotypical as earlier incarnations, reflecting some contemporary notions of masculinity
Aston Martin has a longstanding brand relationship with the James Bond franchise, with the DB5 model appearing on the poster
Dr Madeleine Swann, a love interest of Bond, is pictured twice on the poster as she also appeared in Spectre (2015)
James Bond has retired to Jamaica in No Time to Die, and his 007 title is reassigned to a new MI6 agent, Nomi (Lashana Lynch), which led to some racist trolling of the actor
The Advertising Standards Agency states that ads should ensure they do not promote violence or anti-social behaviour by depicting weapons in a threatening context or in a manner that could be seen to be glamorising violence
Bond's representation
Provides an image of masculinity that connotes skill, intelligence, and strength, with a thoughtful and care-worn facial expression reflecting more contemporary ideas of masculinity
Bond is not represented with a weapon on the poster
Games, films, TV programmes, should ensure that they do not promote violence or anti-social behaviour by depicting weapons in a threatening context or in a manner that could be seen to be glamorising violence
Each of these weapons are relatively small or partially seen, and are not actively being used