Remained a popular medium for drawing since the Renaissance
Used for preparatory purposes: to develop initial ideas, preliminary outlines, areas of shadow, or for squaring grids used to transfer a design to another surface
Charcoal in the 19th century
Artists used it to make highly finished drawings
Such works often feature textural effects, scraping, the mixing of water or other liquids with charcoal powder, stumping, and various reductive techniques such as erasing
Chiaroscuro
The interplay between light and shadow
Fabricated charcoal
Powdered and recompressed to different degrees of hardness
Provided the artist with an even greater expanded range of dark grays and blacks
Charcoal drawing
Can appear daunting to the inexperienced
Yet it is one of the most versatile, inexpensive and fun mediums
Few supplies are needed to get started
It is one of the easiest mediums to transport for plein air drawing
Supplies needed for charcoal drawing
Nitram charcoal sticks ranging in a hardness of B Soft, Hb Medium and H hard
Paper
Kneaded eraser
Gum eraser
Blending stump
Sandpaper
Wax paper or paper towels
Small drafting brush
Acrylic paint brush
Workable fixative (recommended for finished work)
Artwork samples
Self-Portrait by Pablo Picasso
The head of the Virgin in three-quarter view facing right by Leonardo da Vinci
Painting is the expression of ideas and emotions, with the creation of certain aesthetic qualities, in a two-dimensional visual language
Elements of painting's visual language
Shapes, lines, colours, tones, and textures
Purpose of combining painting elements
To represent real or supernatural phenomena, to interpret a narrative theme, or to create wholly abstract visual relationships
Artist's decision on medium and form
Based on the sensuous qualities and the expressive possibilities and limitations of those options
Earlier cultural traditions
Largely controlled the craft, form, imagery, and subject matter of painting
Determined its function, whether ritualistic, devotional, decorative, entertaining, or educational
Painters were employed more as skilled artisans than as creative artists
Later development
The notion of the "fine artist" developed in Asia and Renaissance Europe
Prominent painters were afforded the social status of scholars and courtiers
They signed their work, decided its design and often its subject and imagery
19th century painters in Western societies
Began to lose their social position and secure patronage
Some artists countered the decline in patronage support by holding their own exhibitions and charging an entrance fee
Others earned an income through touring exhibitions of their work
Acrylics
The Beginner's Choice
Easy to use and do not require any special supplies
May suit you if: you are a complete beginner and do not want to worry about the complexities of oil and watercolor painting, you want an easy cleanup time, you have a limited budget, you enjoy experimenting with mixed media, you are sensitive to the harsh chemicals involved in oil painting
Disadvantages: the paint dries very fast, some colors darken as they dry
Oils
The Master's Choice
The most widely used medium among professional artists
Versatile; you can vary the drying time and consistency of your paint dramatically using paint thinners and additional oil
Allows you to work with a wide range of painting techniques (blending, glazing, scumbling)
Oil paintings seem to be held in higher regard by art collectors compared to acrylic paintings (of course, with exceptions)
Watercolors
The Untamed Beauty
Considered to be the most difficult to pick up due to the untamed nature of water and the fact that you are not able to do much re-working of errors (as the paper can only absorb so much water)
However, if mastered, watercolors can produce stunningly elegant paintings